Born 1938 - Worcester, Massachusetts
Nancy Holt studied at Tufts University in Massachusetts. In the mid-60s, Holt helped introduce a post-minimalist sensibility to the field of sculpture. She used video for the first time in 1969 "when Peter Campus rented a video camera and came over."
"There was a tremendous sense of discovery because it was so accessible and so Bob [Smithson] and I immediately did a work of art. We invited a large group of people over to our loft that night, including Richard Serra, Michael Heizer, Nancy Graves, and Keith Sonnier to see it. It was very unusual [to] discover a medium, make a work of art and show it in the same day. That broke the ice and gave me a sense of what it was about—what were film ideas and what were video ideas."
Holt's early tapes, like her site-specific sculptures, explore the recorded experience of a particular time and place and the function of memory in perception. Holt's tapes twist the technical limits of video, calling attention to the medium's artificial nature, and maintaining a critical distance between public presentation and private reality.
Available Titles by Nancy Holt
|Art in the Public Eye: The Making of Dark Star Park||1988||On Art and Artists, Single Titles|
|East Coast, West Coast||1969||Early Video Art, Single Titles|
|The Electric Mirror: Reflecting on Video Art in the 1970s||2017||Curated Compilations, New Releases, Compilations|
|Going Around in Circles||1973||Early Video Art, Single Titles|
|Points of View: Clocktower||1974||Early Video Art, Single Titles|
|Revolve||1977||Early Video Art, Single Titles|
|Underscan||1974||Early Video Art, Single Titles|
|Zeroing In||1973||Early Video Art, Single Titles|