Video Product

1994
A.R.M. Around Moscow

A.R.M. Around Moscow documents particpants in A.R.M. (American-Russian Matchmaking) to explore the relationship of personal power to domestic identity, and economic and political structure. Finley and Stoeltje followed 21 American men as they travelled to Russia to meet 500 local women. Each man was provided with a car, driver, translator, apartment, and meals for a "14-day tour of Russia's most beautiful and highly-educated women" at the cost of about $4,700.

2004
a/k/a Mrs. George Gilbert

a/k/a Mrs. George Gilbert extends Coco Fusco’s in-depth examination of racialized imagery. Fusco combines fictional and documentary source materials to reflect on the use of electronic surveillance against black intellectuals and activists in the 1960s and 1970s as part of covert FBI operations that bear a striking resemblance to the current Patriot Act-inspired activities of American law enforcement.

1977
About Media

Anthony Ramos' astute deconstruction of television news focuses on his part in the media coverage of President Jimmy Carter's 1977 declaration of amnesty for Vietnam draft evaders. Ramos, who had served an 18-month prison sentence for draft evasion, was interviewed by news reporter Gabe Pressman, whose film crew meets Ramos' video crew in a confrontation between technologies and sensibilities. At the time, some broadcast television news crews still used 16mm film, although the expensive transition to ENG (electronic news gathering) systems had begun in 1974.

2010
Marina Abramovic, From Tuesday to Friday

Mexican video artist Ximena Cuevas documented the preparations and opening of the Marina Abramovic Videoinstalaciones exhibit at Mexico City's Laboratorio Arte ALameda, the first Abramovic exhibition ever to take place in Mexico, in November of 2008.  Cuevas captures the self proclaimed "performance grandmother" in a number of personal and performative moments as she readies for the opening.

1981
Abscam (Framed)

Abscam (Framed) frames the FBI sting operation known as "Abscam" by mixing FBI surveillance footage of Congressman Michael "Ozzie" Meyers with footage shot by Lord at the Motel where the original sting occurred—in the process, inserting the artist into this moment in history.

2016
Abstracted

A "painter" casts out the demons that haunt his canvases and who creep into his bed at night.

1987
Accidental Confessions

Accidental Confessions combines scenes from a demolition derby with statements taken from automobiles insurance claims. In these claims, drivers were instructed to summarize the details of their accidents in the fewest words possible, resulting in absurd and contradictory statements.

1980
Artists TV Network, Vito Acconci

Confrontation is the element that defines Acconci’s work, from explorations of the body and self to his performances, videos, and installations to the more recent “transporting and self-erecting architecture.” Throughout his work Acconci has aggressively challenged the status quo: he has violated sexual/cultural roles and has pointed out social/political ambivalence—and in doing so, his notorious activities have stretched the boundaries of what we accept as art.

1983
Vito Acconci: An Interview

Vito Acconci (b. 1940) is known as a conceptual designer, installation and performance artist. In the 1960s he embraced performance in order to "define my body in space, find a ground for myself, an alternate ground from the page ground I had as a poet." Acconci’s early performances, including Claim (1971) and Seedbed (1972), were extremely controversial, transgressing assumed boundaries between public and private space and between audience and performer.

2009
Acid Redux

George Kuchar’s Acid Redux is a raucous journey into the murky domains of mysticism and liminality. Featuring zombie seductresses, erotic interspecies adventures and an animatronic chimpanzee, Acid Redux creates a strange and uncanny world where the familiar falls apart. Meaning and identity become increasingly unstable as the boundaries are blurred between genders, species and even life and dead itself.

— Kyle Riley

1998
The Acrylliac

A brief visit with a graduate student in the painting department of the art college where Kuchar teaches and the discussion that follows the unveiling of his work. Stroll through a gallery of acryllic-rendered innocence gone awry and the yo-yo generation in heat.

1997
Actions in Action

This first work in the HalfLifers' Action Series plunges into a world of frantic heroes trapped in a continual crisis of dissolution and reification. An ordinary domestic setting is recast as a psychoactive landscape in which the concept of function becomes situational and fluid. Only through the strategic application of organic and inorganic “devices” can this zone be successfully navigated and the mission be saved.

2005
Actors Descending and Ascending a Staircase

In this thespian workout, a troop of stage actors improvises within a kaleidoscopic zone of warped spaces.

1999
Ad Vice

"Ad Vice consists of a succession of colored projection surfaces with segments of text from the worlds of advertising, sport and popular culture.  These projection surfaces in turn alternate with images of a rock band whose music continuously frames the whole. As regards form and content, the video looks like a commercial, an advertising spot for SWIPE country. The fast changing images, the continual music, and the starting and ending credits refer to it. The viewer is greeted with the words: welcome to SWIPE country... enjoy the sound... make contact...

2014
Mike Kuchar, Adam's Apple

A 'poet' and a 'painter' discover a malign muse, but their fear and anger keep them young.

—Mike Kuchar