Video Product

1975

This carefully structured documentary is both a character study of DeVito's grandmother, Adeline LeJudas, and an incisive social critique of patriarchal society. In contrast to the domestic comforts of her Brooklyn home, Adeline recounts the violence she suffered at her abusive husband's hands and how she survived a dangerously late, illegal abortion. The intimacy of the video camera (requiring only a one-person crew) plays an intrinsic role in the type of exchange created between granddaughter and grandmother.

1980
The Amarillo News Tapes

"This video reflects my interest in examining cultural institutions. In The Amarillo News Tapes, we were interested in observing and dissecting what makes news in a small, Midwestern television market. The video shows the three of us in our respective roles as anchor, weatherman, and sportscaster, interacting with the real Pro News Team on the set.

1998
Miranda July, The Amateurist

A captivating video about surveillance, identity, watching, and being watched, The Amateurist slides along the edges of horror and satire to create an unsettling portrait of a woman on the brink of a technologically driven madness.

2002
amaurosis

amaurosis is an experimental documentary about Dat Nguyen, a blind guitarist living in Little Saigon, Orange County, California. Dat Nguyen was a "triple outcast": blind, Amerasian, and an impoverished orphan. His American father left Viet Nam in 1973, and his mother died in 1975. Living on the streets of Saigon, he sold lottery tickets for food money. At the age of 12, Dat met a classical music teacher who was also blind and who taught him to read Braille as well as supported him.

1976
The Amazing Bow Wow

The only Benglis video with a discernable plot, The Amazing Bow-Wow follows the adventures of a talking, hermaphroditic dog given to Rexina and Babu by a carnival barker. Rexina and Babu soon decide to make the dog a sideshow act hoping to earn their fortune. Babu eventually becomes jealous of Rexina's devotion to the dog and one night attempts to castrate it, accidentally cutting off its tongue. The dog's head becomes hideous and skeletal, ruining its sideshow career and the profits.

1999
Amber City

A portrait of an unnamed city in Italy. Sidestepping the tourist attractions that make the city famous, the film/video posits an almost-imaginary place that draws closer to the reality of its inhabitants. Using a voiceover narration that collages direct observation, literary texts, historical fact, local folklore, and a bit of sheer fabrication, the film/video melds documentary and narrative, past and present.

2003
Ameising 1

Ant paths sketch a fading pheromonal portrait of a colony.

This title is only available on Soft Science.

 

2013
Ephraim Asili "American Hunger"

The Diaspora Suite

Oscillating between a street festival in Philadelphia, the slave forts and capitol city of Ghana, and the New Jersey shore, American Hunger explores the relationship between personal experience and collective histories. American fantasies confront African realities. African realities confront America fantasies.

1999
American Psycho(drama): Sigmund Freud vs. Henry Ford

This humorous selection of performance-oriented videos maps a trajectory between consumer society and psychoanalytic confession. HalfLifers perform two rescue missions using colored snack food and everyday objects as means towards transcendence. In The Horror, Emily Breer and Joe Gibbons recuperate Coppola’s Apocalypse Now as a day at the beach. Gibbons’s solo work Multiple Barbie features the artist as a smooth-talking psychoanalyst, gently attempting to fuse the mute doll’s shattered plastic psyche.

1983
Amida

Reeves approaches the issues of life and death through a meditation on light and dark, a minute observation of movement and stillness. The force of life and the inevitability of change, even violent change and decay, emerge from Reeves’s glittering collage of slow-motion, natural images. A glass shattering on a table and a statue of Buddha falling into swirling water suggest the Buddhist doctrine of the impermanence of life, that it cannot be contained but is forever moving on.

2009
Amora

Stop action animation, ink on glass.

2001
Amsterdam Camera Vacation

"I'm not going to go to the Anne Frank House—I don't think I could take it—being a tourist is bad enough—though I'm not really a tourist—I'm here working—my camera's the one on vacation—taking holiday sounds and images—it's having a nice change of pace—for me it's still the same old thing—talking and talking.

2014

An intimate portrait of the artist at his home in San Francisco, this film delves into Mike Kuchar's life and work. The artist portrait explores, among other things, Kuchar's movie/music collections, his mysterious Casablanca editing system and the comic books, religious iconography and sci-fi memorabilia that fill the apartment floor to ceiling.

2002
Anal Masturbation and Object Loss

"Ever on the lookout for learning opportunities, Reinke envisions an art institute where you don’t have to make anything, and with a library full of books glued together. All the information’s there—you just don’t have to bother reading it!"
—New York Video Festival (2002)

 

2007
Ancestral Antics

Making art and movies becomes the overall thrust of this foray into hives of humming wanna-bees being all that they can be thanks to the magic of chalk and cinema. Through it all there trudges the arthritic frame of he who samples the honey pot along with gobs of eggplant parmigiana, etc., etc., etc.