Video Product

2007
Ancestral Antics

Making art and movies becomes the overall thrust of this foray into hives of humming wanna-bees being all that they can be thanks to the magic of chalk and cinema. Through it all there trudges the arthritic frame of he who samples the honey pot along with gobs of eggplant parmigiana, etc., etc., etc.

1992
And They Came Riding Into Town on Black and Silver Horses

And They Came Riding into Town on Black and Silver Horses looks at how media representations shape our perception of violence and violent crime, in effect creating racist stereotypes. Andrews suggests that the evidence against young black men is gathered not at the scene of the crime but at the scene of representation.

1977
Laurie Anderson: An Interview

Laurie Anderson (b. 1947) began her career as a gallery artist specializing in photography, before moving to critical work as a writer for Art News and Art in America. She later returned to the art world, making groundbreaking multimedia performance art. Her most widely known work dates back to the early-to-mid-’80s, and is marked by an innovative use of technology in blending media-based and staged performance.

1980
Artists TV Network, Laurie Anderson: Conversations

Laurie Anderson is perhaps best known as a performance artist who works in both the art and commercial worlds. Anderson talks to Steven Poser through a voice manipulator, commenting on how performing abroad has informed her work and her perspective on American culture, especially regarding issues of language and voice in communication.

This video was produced for the Artists TV Network series Conversations.

1993
Andy's House of Gary

A young painter, and his somewhat slower roommate, talk of paranormal occurrences in a room of charcoal canvasses and ephemeral renderings. Eavesdrop on the improbable and the impossible (BUT TRUE!).

2009
Anecdotal Evidence, Jem Cohen

A musical portrait of Vic Chesnutt and company recording the song, CHAIN.

The piece was shot during the recording session for the album, At the Cut, at the Hotel2Tango studio in Montreal, and features appearances by musicians including Efrim Menuck, Guy Picciotto, Jessica Moss, and Chad Jones. CHAIN was written by Chesnutt after viewing Cohen's feature film of that name.

2015

"No man can stay in bed forever...He must rise up; up the steep steps of perfection."

—Mike Kuchar

2005
Ani(fe)mal(e)

Woman, monster, animal? A portrait of a woman's face, the movement slowed down and reversed, the grotesquely made-up face examined in close-up.

2009
Animal

Masked men prowling in the bushes and not touching anything but satin, dandelions and flesh.

 

2000
Animal Attraction

Animal Attraction is a documentary about the relationship between people and animals that questions the way we project our hopes and desires onto our pets, and ascribe human qualities and attributes to their gestures. The video was inspired by the plight of the filmmaker who was frustrated by the obnoxious behavior of her cat, Ernie. As a last resort, she gave in to a friend's suggestion to contact an animal communicator. This is her journey with interspecies telepathic communicator, Dawn Hayman, from Spring Farm CARES, an animal sanctuary in upstate New York.

1998
Animal Charm Videoworks: Volume 1

This compilation is a fresh, witty, and compelling addition to video’s rich legacy of media deconstruction. Through appropriation and reassemblage, these intriguing works upset the hypnotic spectacle of TV viewing by displacing its logic and forcing viewers to make new connections among its codes and conventions. While this disruption is playful, it also reveals the tragic underbelly of corporate message-making—the way it appropriates and suppresses nature and "unpredictability," the way it preys on human vulnerability, and the way it shamelessly celebrates mediocrity and distraction.

2000
Animal Charm Videoworks: Volume 2: Hot Mirror Mix

A collection of videotapes from Animal Charm that reconfigure found footage, creating a compelling new world of odd juxtaposition and sinister strangeness.

 

 

2001
Animal Charm Videoworks: Volume 3, Computer Smarts

Furthering the Animal Charm mission to undermine normality and create new stories from old, the videotapes in this collection seek to reinterpret and/or disrupt the flow of found footage narrative.

1985
Peer Bode, Animal Migrations (and why they don't get lost)

"This is the first of a set of pieces that involve combining a series of electronic video process recordings, musics, texts and appropriated materials. These multiple elements, simple and tricky grammars, trigger expanding electronic narratives. The trajectories and drags of multiple narratives color the electronics and visa a versa.

2008
Animal-Cams

"I just can't resist trying to empathize with animals and plants.  I think that in the process of attempting to learn what it's like to be an animal or plant, I learn more about what it means to be human."
--Sam Easterson