Activism

Cyrille Phipps: An Interview

Media artist Cyrille Phipps has been involved with numerous alternative media and lesbian activist projects, including Dyke TV and the Gay and Lesbian Emergency Media Campaign. Her video projects include Respect Is Due (1991), Black Women, Sexual Politics and the Revolution (with Not Channel Zero, 1992), Our House: Gays and Lesbians in the Hood (with Not Channel Zero, 1992), Sacred Lives, Civil Truths (with Catherine Saalfield, 1993), Dreaming Ourselves...

Chicago Travelogue: Abbie Hoffman, Jerry Rubin and the Yippies

Shot in October 1969, this tape gives an inside view of the workings of late-sixties radical groups and the debates going on within their ranks. At a meeting of Yippies, there is a discussion about the nuts and bolts of fundraising through benefit concerts and events in an attempt to finance support efforts related to the Chicago 8 Conspiracy Trial. Abbie Hoffman and Jerry Rubin are interviewed. Those present discuss radicalization, and the recent "Days of Rage" actions of The Weathermen.

Chicago Travelogue: The Weathermen

An interview with a group of people shot in October 1969, some of whom were involved in The Weathermen’s "Days of Rage" actions. As those present recount the significance of the actions, and the possible ramifications on the movement as a whole, some critics voice serious complaints. In addition to videotaping these discussions, the Videofreex also weigh in on matters.

CBS--Lily and Cleaver Tapes

The Videofreex had been attempting to get their interview with the late Fred Hampton, Chairman of the Illinois chapter of the Black Panther Party, broadcast on mainstream television by CBS. However, the Videofreex had been told that their half-inch tapes could never be broadcast because they would cause the picture on viewer's sets to break up, an assertion later proven to be mistaken. In this tape, recorded on March 5th 1971, we see something of the background of the Videofreex's dealing with CBS.

Canon: Taking to the Streets

Starting with student-recorded VHS footage of two successive Take Back the Night marches at Princeton University, Birnbaum develops a saga of political awareness through personalized experiences. This localized student activity then progresses to and is contrasted with the 1988 National Student Convention at Rutgers University. Through this dynamic portrait, Birnbaum posits a series of compelling questions: How can the voice of the individual make itself seen and heard in our technocratic society? What forms of demonstration support this expression? How is a voice of dissent made possible?

Cadillac Ranch/Media Burn

"We buried ten Cadillacs in a row alongside Interstate 40 (the old Route 66), just west of Amarillo, Texas; each car represented a model change in the evolution of the tail fin. This was clearly a sculptural act, but with a minimal amount of formal manipulation. Media Burn, created a year later in San Francisco, was a live performance. It was a spectacle staged for the camera culminating in the 4000 pound Phantom Dream Car crashing through a pyramid of TV sets to the cheers of the audience of 400.

Paul Garrin, By Any Means Necessary

Spanning two years of protest and resistance, this video chronicles the politically-motivated police harassment of the homeless population in Manhattan’s Lower East Side; including suspected arson, illegal eviction, and the demolition of buildings that forced families onto the street. Taking its title from a quote by Malcolm X, By Any Means Necessary is an indictment of government systems that violate the law willfully and at random in the service of wealthy real estate developers.

Paul Garrin, Home(less) Is Where The Revolution Is

With animated collages of street conflicts and high-tension video effects, this short advertises what has been called the “next World War": the war of the poor, disenfranchised, and homeless against a government controlled by and serving only the wealthy. The intriguing image of the White House lawn occupied by thousands of homeless people calls attention to the prevailing injustice of a system that leaves citizens to live on the streets, civil and human rights unacknowledged. Music by Elliot Sharp. 

Habit

Habit is an autobiographical documentary that follows the current history of the AIDS epidemic along dual trajectories: the efforts of South Africa’s leading AIDS activist group, the Treatment Action Campaign, struggling to gain access to AIDS drugs and the daily routine of the videomaker, a veteran AIDS activist in the U.S. who has been living with AIDS for more than ten years.

Fred Hampton: Black Panthers in Chicago

The Videofreex conducted this interview with Fred Hampton, the Deputy Chairman of the Illinois chapter of the Black Panther Party, in October 1969, just over a month before he was killed by the Chicago police.

Fred Hampton: Chant and Demonstration

Rare footage of a September 1970 rally honoring the late Fred Hampton, Deputy Chairman of the Illinois chapter of the Black Panther Party. One of the speaker's leads the audience in a call and response.

For the Least

For the Least is a short documentary about American Catholics who marched to Guantanomo to bring spiritual comfort to the prisoners and an end to the torture they endure. In December 2005, Catholic Workers--people of faith following the tradition of Dorothy Day--marched over 70 km in the hopes of entering the prison. Ultimately, although they could not actually visit the prisoners, they camped outside the Cuban military limit, fasting and praying for the detainees. The video is in the format of a letter written to the U.S.

The Eternal Frame

Irreverent yet poignant, The Eternal Frame is a re-enactment of the assassination of John F. Kennedy as seen in the famous Zapruder film. This home movie was immediately confiscated by the FBI yet found its way into the visual subconscious of the nation. The Eternal Frame concentrates on this event as a crucial site of fascination and repression in the American mindset.

"The intent of this work was to examine and demystify the notion of the presidency, particularly Kennedy, as image archetype...."

—Doug Hall, 1984 

Letter to a missing woman, based partly on memories of someone who has been a political fugitive since 1983, combines documentary "evidence" and fiction in an imaginative reconstruction of public documents and private history. This is a quiet, obsessive piece addressing the human costs and repercussions of re-inventing oneself – one’s body, memories, and future – as a living piece of propaganda. The writer/narrator of this "crazy letter" is an unreliable one, a composite of half-truths, paranoid digressions, and feelings of loss.

Lanesville Overview I

"Between March 1972 and February 1977, the Videofreex aired 258 television broadcasts from a home-built studio and jerry-rigged transmitter in an old boarding house they rented in the tiny Catskill Mountain hamlet of Lanesville. It was a revolutionary act in defiance of FCC regulations--the first unlicensed TV station in America."

--Parry Teasdale, Videofreex: America's First Pirate TV Station, Black-dome Press