A Day for Cake and Accidents features a cast of animal characters -- each of a different, though often indeterminate, species -- who struggle with impending astrological despair and engage in absurdist dialogs, confessing various melancholic desires and transgressive secrets in poetic cartoon abjection..
A Day for Cake and Accidents is the third in a series of short collaborative animations.
In her overt challenge to conventional modes of femininity and sexuality, Hester Scheurwater confronts the viewer with her own body. The distorted, doll-like characters she plays in her video performances balance between fantasy and reality shifting between being vulnerable, violent, inviting and threatening. Scheurwater's characters are portrayed as isolated, confused and damaged—physically and emotionally—and unable to connect to their surroundings. Scheurwater’s provocative and unsettling works address relationships, notions of decorum, and the portrayal of women in the media.
The work of Dani Leventhal explores the complicated space that exists between decay and renewal, intimacy and disconnection and the sacred and mundane. The six pieces that comprise Dani Leventhal Videoworks: Volume 1 each examine these ambiguous emotional and psychic spaces through a use of montage that is at once both unstructured and dispassionate and lyrically sentimental.
Nest-Cams features footage from cameras placed in and around nests. Animals showcased include: black-capped chickadee, red squirrel, house wren, horned lark, red-breasted nuthatch, black tern, brook trout, and song sparrow.
Burrow-Cams features footage from cameras that have been placed inside underground animal habitats (dens, burrows, etc.). Animals showcased include: burrowing owl, black-footed ferret, porcupine, badger, prairie vole, swift fox, deer mouse, and black tailed prairie dog.
Naked shows a colony of naked mole rats living in a laboratory. This rare and highly socialized species demonstrates modes of behavior that in uncanny ways seem human-like. The mole rats are the most inbred species on the planet, and have the longest life span of any laboratory animal. The film zeroes in on aspects of their existence (overcrowded conditions, violence, tenderness) that have parallels in the life of human society.
The Videofreex tape a group of young people working on a farm run by Chris Locke and his wife in Shandaken, NY. After learning how to take care of the chickens, they are taught how to kill and pluck one. Later they sit down for a communal dinner, and one of the group exclaims "Mmmmm, tastes good!"
Lesser Apes tells the story of a love affair between a primatologist, Farrah, and a female bonobo ape, Meema. Bonobos are the species with which humans share the most DNA, but unlike our species, they are matriarchal, live without conflict, and are unabashedly sexual. A paean to perversion, the film combines animation, live action and song to challenge attitudes about sex, language and our relationship to nature.
Filmed primarily in Alaska, The Aquarium contrasts the openness of the primeval Arctic landscape with the entrapment of captured sea mammals in aquariums. It speaks of the progressive destruction of these animals’ habitat, seeing beyond the alluring spectacle.
A close-range look at pigs living on a farm in Las Vegas, Nevada. The pigs, individually and as a group, become a metaphor for humanity as they go from leisurely wallowing in the mud to the wildness of a feeding frenzy. In a key shot, a pig confronts the viewer with a prolonged, enigmatic stare, as if questioning the very nature of human/animal relationship.
“Marvelously abstract and perfectly concrete.”
-- The Jury of the 2011 Hong Kong International Film Festival
Ray Lowden keeps seventy-two large birds of prey, five deer and some wallabies at his place in Northumberland, England. He’s had ten days off in twelve years and loves what he does. The film is a little homage to his variously coy, imperious, curious, stubborn and comic raptor menagerie.
The Wake was filmed at the Invertebrate Zoology department of the Carnegie Natural History Museum in Pittsburgh. In this department there are old cabinets full of categorized butterfly specimens, neatly ordered in drawers. I released into this space 100 live butterflies that flew among the dead specimens. The result is as if these dead specimens have now come to life.
"By way of lush formal and associative shifts, Hearts Are Trump Again evokes the ever-present tension between seemingly polarized states of experience. Desire and repulsion; freedom and constraint; pain and pleasure all find articulation in images of ferocious dogs and mock conversations about childbearing. Tonally complex and viscerally rich, Hearts Are Trump Again is a lyrical exploration of emotional weather."
Beloved by filmmakers such as John Waters and Todd Solondz, George Kuchar has been working with the moving image for nearly half a century. In the 1950s, Kuchar and his twin brother Mike began producing ultra-low-budget underground versions of Hollywood genre films, with names like I Was a Teenage Rumpot and The Devil’s Cleavage.