Architecture

Nocturne

Nocturne is a 5-minute film shot entirely at night in deserted streets of London. The film attempts to find images of the city that reveal the presence of the past, or the presence of the dead, hinting at a concealed history. The deserted streets around the east end of London and Docklands reflect an echoic city filled with shadows. Nocturne is composed of long static viewpoints, each shot slowly unfolding in time as though by looking long enough the city's secrets will be revealed.

New York, New York

A montage of architecture and cabaret, juxtaposing a second hand view of New York as refracted through this artist's eyes.

Mapping a City of Fragments

Using the opening of Godard's film Alphaville as a foundation, Lord constructs a vision of the evolving global city during the last years of the 20th century. Structured as a series of repetitions, the montage of the changing city is offset by shots of corporate Silicon Valley facades. The result is a dialectical contrast between urban and suburban space, body and mind, chaos and order, and the postmodern and the modern. Shot in Hi-8 video in Tokyo, Fukuoka City, Mexico City, Rome, San Francisco, Naples, and Los Angeles.

Rong Xiang

Rong Xiang is a work on architectural replicas, piracy and its consequences. It is a comparison of LeCorbusier's chapel Notre Dame Du Hautin Ronchamp, France with its exact replica in Zhengzhou, Henan province East China. The work further compares LeCorbusier's human-scale informed "Modulor" concept with ancient Tao philosophy of Confucius and master builders of the Han dynasty. The Ronchamp replica in Zhengzhou is now a legend--it was short lived, erected in 1994 and demolished in 2006 after a three-year long dispute with the "Foundation LeCorbusier" in Paris.

Public Discourse

Public Discourse is an in-depth study of illegal installation art. The primary focus is on the painting of street signs, advertising manipulation, metal welding, postering and guerrilla art, all performed illegally. Public Discourse is about passionate artists who want their work to be seen by a wide range of people rather than be confined to the systemic structures of galleries and museums.

Persistence

"Persistence was shot in 1991-92 in Berlin, and edited with films by U.S. Signal Corps cameramen in 1945-46, obtained from Department of Defense archives. Interspersed through these materials are filmic quotations from Rossellini's Germany Year Zero (1946). A meditation on the time just after a great historical event, about what is common to moments such as these—the continuous and discontinuous threads of history—and our attachment to cinematic modes of observation that, by necessity, shape our view of events.

Trim Subdivisions

This tape deviates from the more purely formal investigations of Snyder’s earlier work; it has no soundtrack and uses camera images exclusively. Employing Quantel digital effects and editing procedures, a novelty in video post-production at the time, Snyder manipulates images of tract houses shot in a small Indiana town. Cubist re-constructions of the monotonous facades fracture spatial planes into intricate geometric arrangements, with frames enclosing frames, spiralling like Chinese boxes.

The Trial of Tilted Arc

The artwork on trial is Richard Serra's public sculpture, Tilted Arc, commissioned and installed by the U.S. government in 1981. Four years later, a public hearing was held to consider the removal of the sculpture from its site in Federal Plaza in New York City. In documenting the climatic General Services Administration hearing, The Trial Of Tilted Arc is a thought-provoking indictment of the state of the arts.

This is a History of New York

A history of New York City from Prehistoric times through the Space Age, composed entirely from documentary street footage.

"The richness of Cohen's vision is found in his haunting imagery and the perception that the thriving city of New York is really the accumulation of humanity's failures, as well as its triumphs."

-- Steve Seid, Seduced and Abandoned: The Homeless Video by Sachiko Hamada & Scott Sinkler and Jem Cohen (Berkeley: Pacific Film Archive, 1989)

Take into the air my quiet breath

In 1966, the Syrian government's Ministry of Endowments solicited plans for a building to replace a 14th-century Mamluk mosque in Martyr's Square in the center of Damascus. A young architect proposed a design for a 5-star hotel and new mosque. In 1971, his plans were scrapped. In 1982, a building began to be built. Hospital? Parking garage? Military housing? The project--now called the Basel al-Asad Center--has been the subject of much rumor and speculation. As of 2007, the building remains unfinished.

super-max

I drove around the U.S. filming these super maximum-security prison buildings the spring and summer after the World Trade Center bombing. I knew that counties within various states had been frantically outbidding each other to get these high-tech gulags to replace the farming and manufacturing jobs that have been lost over the last 25 years. The timing seemed right to remind everyone what we have been doing with our public funding and to draw parallels with the neo-liberal economic policies espoused with variations by the Reagan, Clinton and both Bush administrations.

The Star Eaters

A short and inconclusive treatise on women and gambling. The allure of risk- taking, the contradictions of excessive behavior, and a penchant for failure combine in this fairy-tale set in the abandoned decay that was once a glamorous Atlantic City. A sentimental education at the seashore off-season. With Jackie Smith, Alex Auder, and Ricardo Dominguez.

This title is only available on Pistolary! Films and Videos by Peggy Ahwesh.

we will live to see these things, or, five pictures of what may come to pass

We will live to see these things... is a documentary video in five parts about competing visions of an uncertain future. Shot in 2005/06 in Damascus, Syria, the work combines fiction and non-fiction. Each section of the piece--the chronicle of a building in downtown Damascus, an interview with a dissident intellectual, documentation of an equestrian event, the fever dream of a U.S.

Vito Acconci: An Interview

A poet of the New York School in the early- and mid-’60s, Vito Acconci moved toward performance, sound, and video work at the end of the decade. His work moved in a different direction in order to “define my body in space, find a ground for myself, an alternate ground from the page ground I had as a poet.” Acconci’s early performances, including Claim (1971) and Seedbed (1972), were extremely controversial, transgressing assumed boundaries between public and private space and between audience and performer.

The Bats

The Bats details the mating habits of flying mammals in an abandoned Mayan temple in the 14th Century.

This title is only available on Soft Science.