Asian-American

1977
Early Conceptual Videos

A collection of early conceptually oriented videos which were produced in Tokyo in the early 1970s using words along with images, except for the first two flicker-effect pieces: A Chair (1970) and Blinking (1970). 

Time Tunnel (1971) is an attempt at time travel in a very conceptual sense. 

Man and Woman (1971) shows full body images of a naked man and woman shot from above without movement.  They are shown alone as well as together, one over (or under) the other, symbolizing words at the same time as their positions. 

1998
ekleipsis

.In 1992, Tran came across a New York Times article about a group of hysterically blind Cambodian women in Long Beach, California, known as the largest group of such people in the world. Hysterical blindness is sight loss brought about by traumatic stress, and has little or no physical causes. ekleipsis delves into two histories: the history of hysteria and the Cambodian civil war.

2006
Epilogue: The Palpable Invisibility of Life

Epilogue: The Palpable Invisibility of Life is the final chapter in The Blindness Series, a body of eight videos on blindness and its metaphors that was begun in 1992. The inspiration for the series came from a 1990 exhibition Jacques Derrida curated for the Louvre Museum, titled Memoirs of the Blind.

2009
Kip Fulbeck Selected Videos: Volume One

Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS. A professor of Art at UCSB, he exhibits and performs throughout the world and is the author of several books.

Volume 1 includes: Game of Death, A Day at the Fair, Banana Split, Lilo and Me, A Man for You, Rock & Roll Pug Run and Special Feature

"Hilarious from the start." 

--Giant Robot Magazine

2009
Kip Fulbeck Selected Videos: Volume Two

Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS. A professor of Art at UCSB, he exhibits and performs throughout the world and is the author of several books.

Volume 2 includes: Some Questions for 28 Kisses, Asian Studs Nightmare, Sweet or Spicy?, Sex, Love & Kung Fu, L.A. Christmas, Nine Fish, Vicki in 3:30 and Special Features.

1991
Game of Death

Using footage from the legendary Bruce Lee’s last, unfinished, film, Fulbeck turns the subtitled martial arts movie on itself—levelling criticism and commentary with the genre's own tools, and examining the various representative functions of the late actor.

1991
History and Memory

A search for a non-existent image, a desire to create an image where there is none,“ leads to Rea Tajiri’s composition on recorded history and non-recorded memory. Framed by the haunting facts of the post-Pearl Harbor Japanese internment camps (which dislocated 120,000 Japanese Americans during World War II), Tajiri creates a version of her family’s story through interviews and historical detail, remembering a time that many people would rather forget.

1996
It is a Crime

Using footage from mainstream British and Hollywood films, and excerpts from a poem by Shani Mootoo, this video explores the impact of cultural imperialism and the erasure of language—residual tools of oppression on members of post-colonial societies.

This title is also available on The New McLennium.

1994
kore

 

By focusing on the blindfold, kore explores the eye as purveyor of desire, sexual fear, and the fantasy of blindness. An alternative sexuality is founded in touch-based (feminine?) pleasure as opposed to a vision-based (masculine?) pleasure. An examination of institutional blindspots towards women, and people of color, concerning AIDS expands on the issue of vision, visibility and the disease.

This title is also available on Tran, T. Kim-Trang: The Blindness Series.

2009
Lighthouse

Lighthouse is about the labor system and the factory town in Southern China and how individualism is influenced by the social and political infrastructure. Guangdong District is the largest Metropolitan area in one of China's wealthiest provinces, and one of its cities, Guangzhou, attracts farmers from the countryside looking for factory work. The viewer is led to actively compose narratives through the poetic and the sublime images. It opens borders that separate cultural, linguistic and historical differences in the global labor systems.

2003
Lilo & Me

Which celebrity do you most resemble? For artist Kip Fulbeck, this question starts a rollicking ride that is part autobiography, part family portrait, part pop-culture survey, and all Disney* all the time. Watch as Fulbeck documents his uncanny resemblance to Pochahontas, Mulan, Aladdin, and other "ethnically ambiguous" animated characters. Both hilarious and touching, this educating video examines the muting of race in mainstream media and its effects on multiracial Americans. *Disney is a registered trademark of Disney Enterprises, Inc.

2003
A Man for You

This title is only available on Kip Fulbeck Selected Videos: Volume One.

1990
My Mother's Place

My Mother’s Place is an experimental documentary focusing on the artist’s mother, a third-generation Chinese-Trinidadian who at 80 still has vivid memories of a history lost or quickly disappearing. She conveys these with a storytelling style and a frankness that is distinctly West Indian. A tape about memory, oral history, and autobiography, My Mother’s Place interweaves interviews, personal narrative, home movies, and verité footage of the Caribbean to explore the formation of race, class, and gender under colonialism.

1989
New York Day and Night: A Journey through Light and Darkness

This is not a sight-seeing film, but a poetic journey through light and darkness reflected on the city of New York, where I often found empty spaces and times like Ma in Japanese.  You do not often see the people walking on the streets or in the buildings, but you may feel the air and the light coming and going.  It's not a deserted city, but a city full of energy that is there even without the people.  You see the wind is blowing as the bubbles are floating over Wall Street, then up, up to the sky.  The Sun sets under the Washington Bridge, where all the cars are runnin