Documentary

2012
Dani Leventhal, 17 New Dam Rd.

In Dani Leventhal's video, 17 New Dam Rd., we are invited along on a house visit with a familial group. There's trash in the garden, guns on the sofa, and marshall arts in the living room. A photo session records a young woman throwing punches at a man, playacting for the camera, but sweating anyway. A kitten ignores the bullets littered on the ground. Despite the foregrounding of violent pursuits, lost teeth and pool hall fights, there's a rough camaraderie here, a feeling of loyalty and belonging.

1996
37 Stories About Leaving Home

37 Stories About Leaving Home provides a rare and personal view into the lives of Japanese women. This beautifully constructed and complex video weaves stories told by a group of Japanese grandmothers, mothers and daughters, ranging in age from 15 to 83. The stories recount each woman’s personal journey from child to adulthood—their experiences of leaving home.

2012
A New Product

"Scenes from meetings within a company which advises corporations how to design their offices -- and the work done there. The film shows that words are not just tools, they have become an object of speculation." 

-- Harun Farocki

2010
Marina Abramovic, From Tuesday to Friday

Mexican video artist Ximena Cuevas documented the preparations and opening of the Marina Abramovic Videoinstalaciones exhibit at Mexico City's Laboratorio Arte ALameda, the first Abramovic exhibition ever to take place in Mexico, in November of 2008.  Cuevas captures the self proclaimed "performance grandmother" in a number of personal and performative moments as she readies for the opening.

2010
Agonal Phase, The

In the aftermath of a death things may seem very quiet, but there are struggles going on so deep not even those who struggle can recognize them.  This film looks and listens for signs of those struggles.  Psychoanalytic interjections consider the nature of time and rumination, and are used to step outside of the terribly interiorized state of mourning.

-- Jennifer Montgomery

2009
Anecdotal Evidence, Jem Cohen

A musical portrait of Vic Chesnutt and company recording the song, CHAIN.

The piece was shot during the recording session for the album, At the Cut, at the Hotel2Tango studio in Montreal, and features appearances by musicians including Efrim Menuck, Guy Picciotto, Jessica Moss, and Chad Jones. CHAIN was written by Chesnutt after viewing Cohen's feature film of that name.

2000
Animal Attraction

Animal Attraction is a documentary about the relationship between people and animals that questions the way we project our hopes and desires onto our pets, and ascribe human qualities and attributes to their gestures. The video was inspired by the plight of the filmmaker who was frustrated by the obnoxious behavior of her cat, Ernie. As a last resort, she gave in to a friend's suggestion to contact an animal communicator. This is her journey with interspecies telepathic communicator, Dawn Hayman, from Spring Farm CARES, an animal sanctuary in upstate New York.

1992
Aroma of Enchantment

Aroma of Enchantment is a video essay investigating the fascination Japanese teenagers have for the America of the 1950s and '60s, sporting bobby socks and hair soaked with Brylcreem. Weaving together historical anecdotes about General Douglas MacArthur and his own feelings of alienation in the midst of Japanese culture, Lord focuses on stories told by collectors of American memorabilia in Japan and advocates of Americanization.

1988

A documentary about Holt’s public installation work Dark Star Park in Arlington, Virginia, this video is about the process of developing and building the park. It includes commentary from the architects, contractors, foremen, and engineers who worked on the project, as well as with people who frequent the park. Holt transforms a site of urban blight into an aesthetically stimulating spot that addresses environmental issues.

2003
BAGHDAD IN NO PARTICULAR ORDER

BAGHDAD IN NO PARTICULAR ORDER is an ambient video essay of life in Baghdad before the invasion and occupation. Men dance, women draw and sufis sing as they await the coming of another war. In seven languages (Arabic, Chinese, English, French, German, Italian and Spanish).

Notes, gifts, promises, paintings, trash, and other ephemera from the city which is now hardly a city. What if Walter Benjamin didn’t kill himself, learned html, bought a camera, and thought himself useful enough to work in an impending war zone?

1999
Beyond the Screams: A U.S. Latino Hardcore Punk Documentary

Martin Sorrondeguy, former vocalist for Los Crudos, produced this powerful and uplifting documentary about the U.S. Latino punk scene and the DIY movement. The video features live performances by bands, including Huasinpungo, Los Crudos, Subsistencia, Sbitch, and many more.

1999
Blood Orange Sky

A portrait of Catania, Sicily. Includes the ocean at 5 a.m., the fish market, the distributor of pornographic films, the woodworker, the elephant statue, housing projects, and a young girl in an orange sweater. Catania is a large and remarkable city without many tourists or tourist attractions. Its people live in the shadow of Mt. Aetna, an active volcano.

Mark Linkous of the band Sparklehorse composed original soundtrack for the project, which also contains music by local Catania musicians.

1999
The BLVD

An experimental documentary about the street drag racing scene on Chicago’s near West Side. This is a rambling textured film about obsession. It is about the mythos of speed for its own sake, but it’s also about waiting, and it is through waiting that The BLVD exposes community, inner-city landscapes and nomadic experiences of place. The film treats storytelling as a living medium for determining history. And it commands respect, for those who transform cars, or anything else, through passion.

2012
Breaking the Frame

Marielle Nitoslawska’s Breaking the Frame is a feature–length profile of the radical New York artist Carolee Schneemann. A pioneer of performance art and avant-garde cinema, Schneemann has been breaking the frames of the art world for five decades by challenging the taboos leveled against the female body. Breaking the Frame is a kinetic, hyper-cinematic intervention, a critical medita-tion on the intimate correlations animating art and life.

 


Praise for Breaking the Frame:

 

1986
Bright Eyes

Produced for Britain’s Channel 4, Bright Eyes is an impressive and complex essay detailing the various factors that have colluded to misrepresent the true nature of the threat posed by AIDS. Exposing the relationship between the mass media, scientific systems of classification, and definitions of pathology, Marshall pinpoints the construction of sexual politics based on a reactionary morality. The video places the AIDS crisis in the context of the historical persecution of homosexuals and focuses on the efforts of gay activist groups to combat social and medical prejudice.