ETC: Experimental Television Center 1969-2009 is a five-DVD box set presenting the electronic media work of over one hundred artists who participated in the Center’s Residency Program during a 40-year period. The collection offers a look at the evolution of the unique artist-designed sound and image tools that are the hallmark of the Center’s studio, and provides a view into the constantly changing artistic processes and practices that have shaped the work over the years.
Parry Teasdale, David Cort and Chuck Kennedy visit The Kitchen in New York looking for Shirley Clarke, and bump into Steina and Woody Vasulka who are overseeing a show in progress. A few doors down they find Shirley in her studio, dressed in white and full of energy. She shows them around, pointing out monitors and lighting set ups.
Parry shows her an arm-mounted video camera he has made and bought along for her to try out -- the first time she has seen one. Amid lively banter, Shirley jokes about how one day cameras will be small enough to store on a wristwatch.
Rosa Barba produced a science fiction film based on interviews with local residents and individuals involved in the land suppletion project for Maasvlakte 2. Barba asked the interviewees to imagine what this new land could look like in the future. While we see images of the new land, the slufter: a storage reservoir for heavily contaminated sludge from the new Meuse river, the construction of the huge docksides, basalt blocks, empty containers and the mechanical movements of the transhipment process, we listen to a story apparently taking place in the future.
This three-disc DVD box set contains Eisenberg's four thematically connected films - Displaced Person, Cooperation of Parts, Persistence, and Something More Than Night - made between 1981 and 2003, exploring the ongoing implications of the Second World War and the fall of the Berlin Wall, as well as the relationships between the past, present and future, and how the meanings of events transform over time. The disks are accompanied by a booklet with a contextualizing essay by Scott Durham and an artist interview with Domieta Torlasco, along with titl
This program presents different approaches to looking at war, and to using images of war. My Friend Imad and the Taxi is an unfinished work from two amateur filmmakers, both passionate about film, who lived in Beirut in the eighties when the city looked like the set from a war film. Samir’s work looks at the intersection between (H)istory and (h)is story as lived at home.
Blind Huber is a film interpretation of a poem by the American writer Nick Flynn loosely based on the life of Francois Huber, the blind 18th Century beekeeper, who sat before a series of hives for fifty years unlocking an unknown world.
Written by Nick Flynn. Cinematographer: Alex Stockwell.
Fifeville is a film about a neighborhood in Charlottesville, Virginia. It focuses on the details, gestures, and material life of the citizens of Fifeville as they communicate their understandings of the neighborhood’s changing landscape. Although Fifeville is set in Charlottesville, it could be Any Black Community Experiencing Gentrification, USA, 21st Century.
Company Line is a film about one of the first predominately Black neighborhoods in Mansfield Ohio. The title, Company Line, refers to the name historically used by residents to describe their neighborhood, located on the north side of town close to the old steel mill. The Company Line began during the post–war migration of Blacks from the south to the north in the late 1940’s. The neighborhood was purchased in the early 1970’s and its residents were scattered throughout Mansfield.