Feminism

1993
operculum

The artist visits with seven cosmetic surgeons specializing in blepharoplasty (cosmetic eyelid creasing surgery) in the West Hollywood/Beverly Hills area for initial consultation sessions. The doctors demonstrate different reshaping options and comment upon the prevalence and success rates for different Asian nationalities while Tran presents statistics and facts in text that frame the consultations.

This title is also available on Tran, T. Kim-Trang: The Blindness Series.

1976
Out of the Body Travel

A "young woman who finds herself surrounded by the relics of Western culture" is the subject of Richard Foreman's formal tableaux. The narration centers on a young woman's struggle to find a relation between her body and her self as mediated by language. The text is a poetry of formal relations that carries personal and historical implications, including the desires of the woman paradoxically voiced by a male narrator. The title suggests the vivid virtuality of dreaming; scenes repeatedly refer to both reading and sleeping.

1984
Craig Owens: An Interview

Craig Owens (1950-1990) was a critic who wrote and lectured extensively on contemporary art. He showed particular interest in the issues of photography, postmodernism, feminism, and Marxist thought. A former associate editor for October and senior editor for Art in America, as well as professor of art history at Yale University and Barnard College, his writings were collected in Beyond Recognition: Representation, Power, and Culture (1994). Owens died of an AIDS-related illness in 1990.

2004
Pistolary! Films and Videos by Peggy Ahwesh

This 3-disc DVD collection features nine works by maverick film and video maker Peggy Ahwesh. The set also includes title descriptions, a biography, film/videography, a selected bibliography, and the following texts:

  • Pistolary! Films and Videos by Peggy Ahwesh -- Eileen Myles
  • Film, Baby -- Peggy Ahwesh
  • Interview with Peggy Ahwesh -- Scott MacDonald

 

1991
A Place Called Lovely

“Nicky is seven. His parents are older and meaner.” A Place Called Lovely references the types of violence individuals find in life, from actual beatings, accidents and murders, to the more insidious violence of lies, social expectations, and betrayed faith. Benning collects images of this socially-pervasive violence from a variety of sources, tracing events from childhood: movies, tabloids, children's games (like mumbledy-peg), personal experiences, and those of others.

1980
PM Magazine/Acid Rock

Appropriating material from the introduction to the nightly television show, PM Magazine and a commercial for Wang Computers, Birnbaum uses enlarged still-frames from each of the sources to compound a new image of the indelible American Dream. To the soundtrack of an acid rock version of The Doors' L.A. Woman, repetitive images of an ice skater, baton twirler, cheerleader, and young girls licking ice cream, exemplify dominant cultural images of women — images that emphasize their performative nature: the idea that woman is a spectacle arranged for the (male) viewer's pleasure.

1974
The Politics of Intimacy

The setting for The Politics of Intimacy recalls the widespread consciousness-raising (CR) groups in the late '60s and early '70s inspired by the emerging feminist movement. CR groups provided a forum to openly and collectively validate women's otherwise private experiences. In the tape Dr. Sherfy, one of the first doctors to write about female sexuality, and nine women of different ages, sexual preferences, and economic and social situations discuss their sexual experiences.

1980
Pop-Pop Video: General Hospital/Olympic Women Speed Skate

The "cross-over" in Olympic Women Speed Skating is juxtaposed against General Hospital's whites in reverse angle shots. A couple tries disparagingly to reach an understanding. Skaters continuously return to the starting line. Frustration and exertion combine with originally scored soundtracks of disco, rock, and jazz.

1980
Pop-Pop Video: Kojak/Wang

Pop-Pop Video: Kojak/Wang takes a shootout from Kojak and extends the shot and counter-shot into a potentially endless battle. In the original TV fragment, images, gestures and actions rebound off one another like the echoes of repeated bursts of gunfire. Birnbaum compares gunfire with the beams of laser light from a computer in a Wang commercial, connecting destruction and violence with the products of advancing technology.

1983
Possibly in Michigan

Possibly In Michigan is an operatic fairytale about cannibalism in Middle America. A masked man stalks a woman through a shopping mall and follows her home. In the end, their roles are reversed when the heroine deposits a mysterious Hefty bag at the curb. Like Condit's other video narratives, Possibly In Michigan shows bizarre events disrupting mundane lives. Combining the commonplace with the macabre, humor with the absurd, she constructs a world of divided reality.

2003
Poster Girl

As if trapped inside a nightmare, the main protagonist of Poster Girl is haunted by disturbing visions, thoughts and fantasies, which the viewer is privy to. She is joined at various points in the video by another woman, whose role in the narrative remains unclear – is she meant to function as a guardian or a demon? The video further complicates the matter by representing both women as simultaneously wounded and wounding, inviting and threatening, vulnerable and menacing.

1980
Primal Scenes

Over grainy, black and white images of a woman giving birth, Montano reads the story of a nun’s sexual self-discovery—recounting Sister Joan’s growing awareness of her body’s sensuousness and sexuality. Primal Scenes is an excellent example of women’s erotica, focusing on a woman’s experience of her body as both sexually powerful and deeply mysterious.

2017

VDB TV: Decades
1980s: Problematizing Pleasure / Punk Theory

An original program for VDB TV: Decades curated by Steve Reinke.

2007
Purify

Purify shows a disconnected women washing herself in blood.

2008
Putting the Balls Away

Putting the Balls Away is a reenactment of the historic September 21, 1973, tennis match between Billie Jean King and Bobby Riggs, created for broadcast on the 35th anniversary of the original event. The Battle of the Sexes was the most-watched live sporting event at that time, and pitted chauvinist against feminist, when women tennis players demanded equal pay to that of their male counterparts. Both players are performed by Mateik, whose work wages strategic operations to overthrow institutions of compulsory gender. After each game the competitors "switch sides".