Film or Videomaking

Ken Kobland has been working in various aspects of film and video since 1971, creating productions in collaboration with performing artists such as Philip Glass, the Wooster Group, Elizabeth LeCompte, and Spalding Gray. His work explores a variety of themes and issues, often embracing a photographic aesthetic within the context of video. Beautifully edited, his work merges diaristic and documentary categories, presenting an art of video that approximates photo-journalism. 

This 7-DVD box set contains the following titles from the artist:

Disc 1

Formed in 1969 at the legendary Woodstock Music Festival by David Cort and Parry Teasdale, who met while taping the events with the newly available Portapak video equipment, the Videofreex (also known as "the Freex") were one of the very first video collectives. After working together to pitch a program to the major broadcasting station CBS, they toured the country interviewing counter-cultural figures of the day, including Fred Hampton, a leader of the Black Panther party, and Abbie Hoffman, so called leader of the Yippies.

The town of Lanesville, NY was home to the Videofreex for more than ten years, and their house was know as "Probably the World's Smallest TV Station."  This overview details the regular activities of the collective and their work, and includes examples of productions they made for the Media Bus project.  Russell Connor hosts the program and interviews various Media Bus members.

Includes:

Parry Teasdale, David Cort and Chuck Kennedy visit The Kitchen in New York looking for Shirley Clarke, and bump into Steina and Woody Vasulka who are overseeing a show in progress.  A few doors down they find Shirley in her studio, dressed in white and full of energy.  She shows them around, pointing out monitors and lighting set ups.

Parry shows her an arm-mounted video camera he has made and bought along for her to try out -- the first time she has seen one.  Amid lively banter, Shirley jokes about how one day cameras will be small enough to store on a wristwatch.

A wonderful and humorous example of early image processing, Parry Teasdale and Carol Vontobel perform to camera as their faces are morphed together, forming an image of one person.  The exercise is repeated by Nancy Cain and Bart Friedman as the music speeds up.

A re-working of Humphrey Jenning's 1943 seminal docu-drama The Silent Village wherein coal miners from the Wlsh village of Cwmgiedd re-enact the Nazi invasion and annihilation of the resisting Czech villagers of Lidice. Principal focus in this re-mix is upon the way sound is used as a mode of social control.

1. The idea that a film about a city, a quiet, architectural film no less, can tell us anything that we don’t already know about urban life at this point in our new century is perhaps a bit arrogant. But the city is an organism that changes constantly; our knowledge of it is provisional at best. So a film that examines the urban environment under the cloak of darkness must presume to reveal a reality that we don’t know, and tries to dispel projections and fears that are for the most part located in the imagination... in a memory of film, television, or the novel.