Gender

A classic example of feminist performance videos of the 1970s, which often incorporated autobiography, expansion of self through personae, and assertions of a new identity for women. In Nun and Deviant the performers come to happier terms with their identities both as women and as artists.

The popular images of Asian American males, historically propagated in the mass media, range from "silent, sex-less, obedient houseboy" to "mystic martial arts master". Invisibility has been a core element in the public’s perceptions, and is reflected in the one-dimensional representation of Asian men. This is a program by and about Asian-American men. Through their experiences and voices we become privy to the peculiar and insidious ways in which racism affects their evolving self-identities.

The second installment of the collaborative project New Report, an ongoing series of performances and videos, Artist Unknown features K8 Hardy (founder of the queer feminist art collective LTTR) and Wynne Greenwood (of Tracy and the Plastics) playing Henry Irigaray and Henry Stein-Acker-Hill, and anchor and roving correspondent for WKRH, a feminist TV news station whose tagline is "pregnant with information." Based on documentation of a live, digital communication in real time between Greenwood at Foxy Production Gallery and Hardy on the street in New York.

Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin. The syntax of the film reflects the possibilities and limitations of speech, while “politically, physically, and realistically” flirting with the language of opposition.

An interactive CD-ROM inspired by the lives and work of ten famous women: Josephine Baker, Simone de Beauvoir, Catherine the Great, Colette, Marie Curie, Marlene Deitrich, Isadora Duncan, Frida Kahlo, Margaret Mead, and Gertrude Stein. The CD-ROM is an investigation into the intersecting economies of sexuality, authorship, eroticism, and gender that inform the lives of women. Their identities are configured in the negotiated space between self and other, a negotiation that continues in Tamblyn's relationship to them as narrator.

Through a catalogue of looks, movements, and gestures, Mayhem presents a social order run amok in a libidinous retracing of film noir conventions. Sexuality flows in an atmosphere of sexual tension, danger, violence, and glamour; antagonism between the sexes is symbolized in the costuming of women in polka dots and men in stripes. Censored in Tokyo for its use of Japanese lesbian erotica, this tape creates an image bank of what signifies the sexual and the seductive in the history of imagemaking, pointing to the way we learn about our bodies, and how to use them from images.

A short, poetic QuickTime video about the gray areas of gender identity."