Interview

Lyn Blumenthal & Kate Horsfield, Hans Haacke: An Interview

Conceptual artist Hans Haacke’s two most notorious works took unsavory Manhattan real-estate dealing as their subject, which triggered the cancellation of his exhibition Real Time Social System at the Guggenheim Museum in 1971. With the conscientiousness of an investigative reporter, Haacke continues to scrutinize the rough edges between art and life.

Hal Foster: An Interview

Hal Foster is Professor of Modern Art at Princeton University and has written and edited numerous influential books on postmodernism, art, and culture. His books include Recodings: Art, Spectacle, Cultural Politics (1985); The Return of the Real: The Avant-Garde at the End of the Century (1996); and, as editor, The Anti-Aesthetic: Essays on Postmodern Culture (1983); Vision and Visuality (1988); and Richard Serra (2000).

Interview by David Raskin.

A historical interview originally recorded in 2001 and re-edited in 2008.

Guerrilla Girls: What Follows...

Guerilla Girls are artist activists who have dedicated themselves to informing the public of the gender and racial inequalities that persists in the art world. Dressed in gorilla masks, they discuss their postering activities and their collaborative projects.

Interview by Lucy Lippard.

Guerrilla Girls: An Interview

The Guerilla Girls are an anonymous activist group who refer to themselves as “the conscience of the art world” and whose stated goal is to combat racism and sexism. Through posters, magazine ads, exhibitions, and panels, they have educated and agitated the art world with statistics on the under-representation of women and minorities in galleries, museums, and the press. This interview is conducted with three Guerrilla Girls, who appear adorned in their trademark gorilla masks to ensure their anonymity.

Interview by Carole Tormollan.

George Kuchar: An Interview

Beloved by filmmakers such as John Waters and Todd Solondz, George Kuchar has been working with the moving image for nearly half a century. In the 1950s, Kuchar and his twin brother Mike began producing ultra-low-budget underground versions of Hollywood genre films, with names like I Was a Teenage Rumpot and The Devil's Cleavage.

Fred Tomaselli: An Interview

Fred Tomaselli’s mosaics and collages compose patterns and images that suggest ancient global influences. His materials, however, are products of modern consumption, addiction, bodily abuse, and pleasure: pills, nicotine patches, bandages, and the like. The surfaces are coated with a lacquered veneer, making these mundane sources of highs or healing gleam. Interview by James Rondeau. A historical interview originally recorded in 1999 and re-edited in 2007.

Fred Hampton: Black Panthers in Chicago

The Videofreex conducted this interview with Fred Hampton, the Deputy Chairman of the Illinois chapter of the Black Panther Party, in October 1969, just over a month before he was killed by the Chicago police.

Frame and Context: Richard Ross

Richard Ross discusses his interest in photographing museums—their display of objects, frames, the entire context—in order to question our definitions of the museum. The video also covers his ongoing series of triptychs made using a child’s plastic camera, which Ross turns into “art historical soap operas” by playing off the interactions of the groupings.

Only available on the Fellows of Contemporary Art compilation.

Liza Bear, Five Video Pioneers

Featuring Vito Acconci, Richard Serra, Willoughby Sharp, Keith Sonnier, and William Wegman

Filipe Ehrenberg: An Interview

Filipe Ehrenberg is a prominent Mexican artist who has been actively producing interactive political art, installations, and murals for more than 30 years. Also a writer, Ehrenberg has run a small press in Mexico City and has published numerous articles for art journals in the United States.

Interview by Carol Becker.

Experience, Perception, Interpretation/Illusion

Consisting of 13 brief spots, Experience: Perception, Interpretation, Illusion features works by artists included in a Pasadena Armory exhibition. Curator Noel Korten explains that the artists in the show have all reached mid-career and are now less concerned with expanding the boundaries of contemporary art than on reflecting back on culture through their own perspectives. Artists include Karen Carsen, John Outterbridge, Michael C.

Estelle Jussim: An Interview

A historical interview originally recorded in 1979.

Eric Fischl: An Interview

Eric Fischl's early works were large-scale abstract paintings. While teaching in Nova Scotia, Fischl began to shift from abstraction to smaller, image-oriented paintings, beginning with narrative works that investigated a fisherman's family. By the time Fischl left Halifax the narrative element was gone, but the middle-class melodrama centered on the family matrix remained. In the '80s Fischl's large figurative paintings, aggressive in their confrontation with the viewer, began to receive attention.

Luminous Image

The Luminous Image was an international exhibition of video installations held in the fall of 1984 at the Stedelijk Museum in Amsterdam.

Luis Cruz Azaceta: An Interview

Luis Cruz Azaceta’s paintings and mixed media works use the recurring theme of the displaced individual. Marked by his own exile from Cuba—he was born there in 1942 and emigrated to the U.S. in 1960, in the wake of Castro’s take-over—the artist realized that home is something he carries with him from place to place. Through his piercing expressionism, Azaceta depicts the frailty of human existence in a world full of social anarchy, historically mandated violence, and natural chaos.

Interview by Bob Loescher.

A historical interview originally recorded in 1989.