Interview

1998
Cecilia Dougherty, Laurie

Laurie was inspired by Laurie Weeks’ uncanny ability to simultaneously embody her characters and write them from a clear distance. The text in question is just a few paragraphs from a draft of the novel Zipper Mouth, more than ten years in the making, and published by the Feminist Press.

1983
Tom Lawson: An Interview

Scottish artist Thomas Lawson (b. 1951) is a painter, critic, and founding editor of REAL LIFE magazine who lives and works in Los Angeles. His paintings are tied to the particularities of the present, and he is especially critical of the art world’s infatuation with ego and creativity. His portraits, appropriated from the print media, represent an intervention in that vein.

1990

Elizabeth LeCompte is the director of the Wooster Group, an experimental theater company that operates out of its own theater, the Performing Garage, in New York City. The group’s working process begins with "source" texts which are quoted, reworked, and juxtaposed with fragments of popular, cultural and social history, and combined with personal and collective experiences of the group. The resulting productions reflect a continuing refinement of a non-linear, abstract aesthetic that at once subverts and pays homage to modern theatrical "realism."

Interview by Lin Hixson.

1993
Carol Leigh: An Interview

During a conference in the late 1970s, Carol Leigh (also known as the Scarlot Harlot) coined the term “sex worker.” Now, it is a fundamental part of the lexicon regarding all worker’s rights and this is owed in large part to Leigh’s artistic and activist career. Working primarily through the medium of performance and video – her work attempts to educate and broaden audiences’ understanding of sex work and the fundamental rights sex workers deserve. This interview is a distillation of those aims.

1998
Cecilia Dougherty, Leslie

In the early 1990s, I went to a reading by Leslie Scalapino at Intersection for the Arts in San Francisco. I could not understand the writing, which can seem difficult and unwieldy to a reader unaccustomed to language poetry, and understood less the more I tried. After a certain point in the reading I stopped trying to figure it out and I let the words seep in. My reward was an effortless understanding of how her poetry works.

1977
Lewitt, Sol: An Interview

American, minimalist painter Sol Lewitt (1928-2007) used the grid as a foundation for his many artworks. Seeing himself in the role of architect or composer, Lewitt was most concerned with the concept behind the piece rather than the final product. His geometrical compositions stripped away extraneous information and presented the bare essentials.

2016
Linda M Montano 2016: An Interview

Linda Montano is interviewed by Janet Dees, Curator at the Mary and Leigh Block Museum, Northwestern University.

Since the 1960s, Linda Montano has aimed to blur the distinction between art and life with her performance and video work. Delving deep into subjects like death, spirituality and personal trauma, she is seen as an influential figure in feminist performance art.

1974
Lucy Lippard 1974: An Interview

Lucy Lippard (b. 1937) earned degrees from Smith College and New York University before beginning her career as an art critic in 1962, when she began contributing to publications such as Art International and later, Artforum. In 1966, she organized an exhibition entitled Eccentric Abstraction at the Fischbach Gallery in New York City.  

1979

Lucy Lippard (b. 1937) earned degrees from Smith College and New York University before beginning her career as an art critic in 1962, when she began contributing to publications such as Art International and, later, Artforum. In 1966, she organized an exhibition entitled “Eccentric Abstraction” at the Fischbach Gallery in New York City. “Eccentric Abstraction” set the standard for what would later be regarded as postminimalism, process, or antiform art.

1987

Writer and activist Lucy Lippard divides her time between Boulder and New York City. She narrates a reading set to selected “politically motivated” art works. Interview by Jim Johnson.

2000
Sharon Lockhart: An Interview

Sharon Lockhart is a photographer and filmmaker. Her photographic and filmic works interrogate the inversion of the static image as cinematic and the manipulation of the moving image into a static/stop-motion frame. Her work also contemplates how we perceive our own real-time realities.

1997
Rick Lowe: An Interview

Awarded a MacArthur “Genius” Fellowship in 2014, Rick Lowe is a leading practitioner of social practice art. His Row Houses project is a highly lauded example of relational aesthetics successfully deployed. This interview focuses particularly on that work and the artist’s entrance into social practice.

1969

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times — the period just after Chairman Bobby Seale was wrongfully imprisoned for inciting riots at the Democratic National Convention a year earlier. This particular video documents a discussion with Lucy Montgomery herself interviewed by David Cort, one of the Videofreex.

1984
Luminous Image

The Luminous Image was an international exhibition of video installations held in the fall of 1984 at the Stedelijk Museum in Amsterdam.

1978
Nathan Lyons: An Interview

Nathan Lyons (b.1930) has contributed to the field of photography as a critic, author, curator, educator, and photographer. He has published several books and catalogs, including Photographers on Photography (1966), Photography in the 20th Century (1967), Towards a Social Landscape (1967), Persistence of Vision (1968), and Notations in Passing (1974).  His body of work consists primarily of photographs which focus on American culture.