LGBTQ

2002
9 Is A Secret

"Renwick recounts a sad time in her life, when a friend was dying and she suddenly became aware of the presence of crows... [Renwick] craft[s] a lyrical and moving essay that works its magic through poetic accretion rather than narrative logic."
— Holly Willis, L.A. Weekly

2016
Abstracted

A "painter" casts out the demons that haunt his canvases and who creep into his bed at night.

2009
against a trans narrative

Trans filmmaker Jules Rosskam's against a trans narrative is a provocative and personal experimental documentary investigating dominant constructions of trans-masculine identity, gender, and the nature of community.

By sensitively framing the film through his own personal journey within the trans-masculine community, Rosskam creates an electric and original investigation into gender politics and social self-identity.

1988
The Aha Experience!

The “a-ha experience” is the moment when a child first recognizes its own image in a mirror; it is critical to the development of intelligence and identity. It is also the moment when the “self” is surrendered to the control of an external influence. The child accepts the power of the mother to confer or withhold love; it is the mother’s power to fulfill desire that shapes a child’s sense of identity. Similarly, a camera controls love by directing or not directing its attention to the desiring subject.

2018
The Alphabet Garden, Mike Kuchar

His face is strong and seems unaffected by the trials in his life — however it is nothing but a mask — skin is what he hides behind.

2001
Amsterdam Camera Vacation

"I'm not going to go to the Anne Frank House—I don't think I could take it—being a tourist is bad enough—though I'm not really a tourist—I'm here working—my camera's the one on vacation—taking holiday sounds and images—it's having a nice change of pace—for me it's still the same old thing—talking and talking.

1990
An Evening with Kembra, Glenn Belverio

In the video An Evening with Kembra, Glennda and Brenda attend one of Kembra Pfahler's dinner shows on New York City's Lower East Side. At her show, she performs cabaret versions of songs from her band The Volumptuous Horror of Karen Black. After the show, the group discusses the relationship of her work to queer culture. Interspersed throughout the video are two short clips: a skit entitled Drag Queen Starter Kit, and a call to boycott a bakery due to its discriminatory behavior. 

2002
Anal Masturbation and Object Loss

"Ever on the lookout for learning opportunities, Reinke envisions an art institute where you don’t have to make anything, and with a library full of books glued together. All the information’s there—you just don’t have to bother reading it!"
—New York Video Festival (2002)

 

2009
Animal

Masked men prowling in the bushes and not touching anything but satin, dandelions and flesh.

 

2019
Ascensor, Adrian Garcia Gomez

Ascensor is an exploration of grief, longing and mysticism through a queer lens. It documents a syncretic ritual that culls from the magical reverberations in Mexican culture to process the unexpected loss of a dear friend. The repetition of the ritual eventually leads to the transcendence of physical space, transforming unrelenting ache into shining resilience.

2018
Mike Kuchar, Awaiting the Dawn

...Alone, lost and in search of Gods, he waits for dawn to light the path toward enlightenment. 

1993
Bad Grrrls, Glenn Belverio

In Bad Grrrls, Glennda and Fonda LaBruce attend a Riot Grrrl conference on New York’s Lower East Side. At the conference, they conduct interviews with punk women, performers and artists, including Penny Arcade and Sadie Benning. In doing so, Glennda and Fonda navigate a range of perspectives on feminism, punk, and underground activism. Furthermore, they engage with questions of drag’s relationship with feminism, and how one would reconcile the problems of punk with Riot Grrrl’s desire for women’s liberation. 

2017
Bayard & Me

In the late 1970s, Walter Naegle was walking to Times Square to buy a newspaper when he ran into a striking older African American man on the corner. Walter says that “lightning struck” and his life changed forever at that moment. The man on the corner was Bayard Rustin.

1998
Sadie Benning Videoworks: Volume 1

A compilation of five of Sadie Benning’s early works. In Jollies, Benning gives a chronology of her crushes and kisses, tracing the development of her nascent sexuality. Addressing the camera with an air of seduction and romance, Benning allows the viewer a sense of her anxiety and delight as she comes to realize her lesbian identity. In If Every Girl Had a Diary, Benning trains her pixelvision camera on herself and her room, searching for a sense of identity and respect as a woman and a lesbian.

1999
Sadie Benning Videoworks: Volume 2

Volume 2 includes the pixelvision works made in 1992: A Place Called Lovely, It Wasn't Love, and Girlpower. A Place Called Lovely references the types of violence individuals find in life, from explicit beatings, accidents, and murders to the more insidious violence of lies, social expectations, and betrayed faith. Benning collects images of this socially-pervasive violence from a variety of sources, tracing events from childhood—movies, tabloids, children's games (like mumbledy-peg)—personal experiences, and those of others.