Literature

Inspiration

The stimulus for this dissertation on the reason behind the creative impulse is taken verbatim from an author's preface to his book.

I Need Your Full Cooperation

Juxtaposing feminist readings of medical tracts, narratives of patient treatment and archival footage, I Need Your Full Cooperation reveals the evolution of women’s relationship to modern medicine. The video dramatizes Charlotte Perkins Gilman’s “rest cure”, adapting her 1892 story "The Yellow Wallpaper", and includes critical commentary by activist/writer Barbara Ehrenreich and historian Carroll Smith-Rosenberg.

ONE (Jane Bowles)

“We each have only one single life which is our real life, starting at the cradle and ending at the grave. I warn Dorothy every time I see her that if she doesn’t watch out, her life is going to be left aching and starving on the side of the road and she’s going to get to her grave without it. The farther a man follows the rainbow, the harder it is for him to get back to the life which he left starving like an old dog.”

—Jane Bowles, “Plain Pleasures” in My Sister’s Hand in Mine (New York: Ecco Press, 1978)

Psychologically disturbed Professor Herville (Joe Gibbons) analyzes the literary classic Moby Dick. He gives a tour of the Herman Melville Museum and makes much ado about the book’s Oedipial themes. Breer mixes in footage of the Hollywood adaptation starring Gregory Peck and her own irrepressible animation.

This title is also available on Emily Breer: Classics Exposed.

Me and Rubyfruit

Based on a novel by Rita Mae Brown, Me and Rubyfruit chronicles the enchantment of teenage lesbian love against a backdrop of pornographic images and phone sex ads. Benning portrays the innocence of female romance and the taboo prospect of female marriage.

This title is also available on Sadie Benning Videoworks: Volume 1.

Mauve Desert: A CD-ROM Translation

Based upon the novel Le Desert Mauve by Quebeçoise author Nicole Brossard, Mauve Desert, a CD-ROM road movie, was five years in the making. Shot on film and video, framed by original graphics and creative programming structures, and performed in three languages, Mauve Desert finds its voice in the driver's seat (of a computer). Mélanie is a fifteen year-old girl who steals her mother’s Meteor every chance she gets and drives away from her mother’s lover Lorna and toward the dawn.

SEVEN (Virginia Wolf)

“And the poem, I think, is only your voice speaking.”

—Virginia Woolf, The Waves (New York: Harcourt, 1978)

This title is also available on Third Known Nest by Tom Kalin.

The Robots of Sodom

"Sodom--for those of you who haven’t been there--is an island about ten miles in length by about two miles in width. There is no depth to it at all. It was built by men as a memorial to God, much the same reasons that I am writing this…  to praise and fulfill Him because they had heard He was dead and because His work had apparently come to nothing. The great buildings of Sodom are shaped like tombstones, and the island is populated almost entirely by robots. Man created the robots in his own image, and he created the island in the image of a cemetery.

The Problem of Possible Redemption

A video adaptation of James Joyce’s Ulysses shot at the Parkville Senior Center, Connecticut, with the seniors reading the lines from cue cards. The piece addresses society, war, and personal mortality.

Uh Oh!

Uh Oh! is a love story that revolves around the classic text, The Story of O. Not an adaptation, but rather a critical analysis of masochism that investigates the relationship between love, risk-taking, spirituality, power, and sex. An all-female cast plays cowboys who stage sado-masochistic rituals in the basement of a diner. A waitress named Oh (Emanuela Villorini) falls in love with a cowboy (New York poet Eileen Myles).

TWO (Patricia Highsmith)

“It is curious that in the most important periods of one’s life, one never keeps a diary. There are some things that even a habitual diary-keeper shrinks from putting down in words—at the time, at least. And what a loss, if one intends to keep an honest history at all. The main value of diaries is their recording of difficult periods, and that is just the time when one is too cowardly to put down the weaknesses, the vagaries, the shameful hatreds, the little lies, the selfish intentions, carried out or not, which form one’s true character.”

The Treasures of Creepy Hollow

A collection of literary and visual art is exhibited in the home of a noted author who displays great hospitality to the horrors and kinks of artistic expression. The viewer gets an up-close look at things best left behind the sofas of decent housing.

Time Passes

Using a Super-8 camera, Henricks employs time-lapse photography to document the interior and exterior of his apartment. Inspired by the work of Virginia Woolf, Time Passes uses writing as a metaphor for notions of temporality and impermanence.

This title is also available on Nelson Henricks Videoworks: Volume 2.

THREE (Derek Jarman)

“I am a mannish / Muff-diving / Size queen / With bad attitude / An arse-licking / Psychofag / Molesting the flies of privacy / Balling lesbian boys / A perverted heterodemon / Crossing purpose with death / I am a cock-sucking / Straight-acting / Lesbian man / With ball-crushing bad manners / Laddish nymphomaniac politics / Spunky sexist desires / Of incestuous inversion and / Incorrect terminology / I am a Not Gay”

—Derek Jarman, Blue: Text of a Film (Woodstock, N.Y.: Overlook Press, 1994)

There Was an Unseen Cloud Moving

A fragmented, experimental biography of the 19th-century poet and writer Isabelle Eberhardt, whose brief, unusual life ended abruptly in a flash flood in the desert.