Media Analysis

Disambiguation

Starting out as equal parts authors, editors and thieves, the Disambiguation project began when two artists were invited to curate a screening together.  Since they live in separate cities, Chicago and London respectively, they decided to swap and re-edit files of video and audio material from their own archives by post.  Animations, pornography, songs, downloads and fragments from their own back catalogue were passed back and forth across the Atlantic to be chopped and sequenced into an exquisite corpse of swapped signals.

Ximena Cuevas: El Mundo del Silencio (The Silent World)

Cuevas is obsessed with the micro movements of daily life, with the border between truth and fiction, with the "impossibility" of reality. Her work relentlessly seeks out the layers of lies covering the everyday representations of reality and systematically explores the fictions of national identity and gender.

Apeshit

Employing footage from an obscure 8mm film trailer for Battle for the Planet of the Apes to highlight the unstable relationship between the real, historical past and the distant, imaginary future, this project revolves around a central question: Is alien-ness indeed the metaphor for the 20th Century as power relationships have been embodied within our subconscious? Is there a relationship between these forgotten formats and the discontinued political ideologies that they depict?

The Amarillo News Tapes

"This video reflects my interest in examining cultural institutions. In The Amarillo News Tapes, we were interested in observing and dissecting what makes news in a small, Midwestern television market. The video shows the three of us in our respective roles as anchor, weatherman, and sportscaster, interacting with the real Pro News Team on the set.

HalfLifers, Afterlifers: Walking and Talking

The HalfLifers exhume cinema’s favorite incarnation of mindless, decaying mortality, the Zombie, in the hopes of breathing new life into this misunderstood figure. From a panel discussion in an old TV studio to a quarantined helicopter high above California’s rolling hills, these life-challenged entities walk, talk, and chew over some of the more difficult questions of this “whole linear birth-death system."

This title is also available on HalfLifers: The Complete History.

Ad Vice

"Ad Vice consists of a succession of colored projection surfaces with segments of text from the worlds of advertising, sport and popular culture.  These projection surfaces in turn alternate with images of a rock band whose music continuously frames the whole. As regards form and content, the video looks like a commercial, an advertising spot for SWIPE country. The fast changing images, the continual music, and the starting and ending credits refer to it. The viewer is greeted with the words: welcome to SWIPE country... enjoy the sound... make contact...

About Media

Anthony Ramos' astute deconstruction of television news focuses on his part in the media coverage of President Jimmy Carter's 1977 declaration of amnesty for Vietnam draft evaders. Ramos, who had served an 18-month prison sentence for draft evasion, was interviewed by news reporter Gabe Pressman, whose film crew meets Ramos' video crew in a confrontation between technologies and sensibilities. At the time, some broadcast television news crews still used 16mm film, although the expensive transition to ENG (electronic news gathering) systems had begun in 1974.

1!
1!

1! is part of the Pop Manifestos series, a five video project realized in collaboration with Cokes' former students Seth Price and Damian Kulash, and originally conceived as part of a series for the conceptual band SWIPE. “I closed the Pop Manifestos series as originally conceived with 1! (2004) where I present the titles of 100 CDs I've valued most from the years 1997-2002 set to music composed by Michael Bell-Smith.

Border Art Clásicos (1990-2005)

An Anthology of Collaborative Works by Guillermo Gómez-Peña

This "conceptual package" of collaborative videos and writings by leading theorists is a unique opportunity for students, artists and educators to explore the psyche, experimental aesthetics, activist ethos and spiritual cosmology of legendary rebel artist Guillermo Gómez-Peña.

With filmmakers:

Isaac Artenstein, Adriene Jenik, Patrick Litchy, Jethro Rothe-Kushel, Daniel Salazar, Henry Sayre & Sandy Brooke, Roberto Sifuentes, Liz Singer, Gustavo Vazquez

Presidents and Elections

The commodification of the American presidency is examined and lampooned in Presidents and Elections, a compilation of work from the Video Data Bank collection. Interweaving humorous, disquieting, and surreal videos with actual presidential campaign ads, the program highlights the evolving role of television as the driving force of electoral politics.

Animal Charm Videoworks: Volume 1

This compilation is a fresh, witty, and compelling addition to video’s rich legacy of media deconstruction. Through appropriation and reassemblage, these intriguing works upset the hypnotic spectacle of TV viewing by displacing its logic and forcing viewers to make new connections among its codes and conventions. While this disruption is playful, it also reveals the tragic underbelly of corporate message-making—the way it appropriates and suppresses nature and "unpredictability," the way it preys on human vulnerability, and the way it shamelessly celebrates mediocrity and distraction.

Burning Blue, The

A video that observes the thrill, terror and boredom found in watching mass spectacles, and the unexpected loneliness when you miss them. This video speaks of both the power and the failure of the televised experience to bind us to one another.

Bringing It All To You!

®™ark is an organization dedicated to bringing anti-corporate subversion and sabotage into the public marketplace. This updated video compilation includes a glitzy promotion for the ®™ark system (Bringing It All to You!); a behind-the-scenes look at some ®™ark propaganda efforts; an ®™ark PowerPoint presentation concerning "the Y2K bug”; a Danish television report about ®™ark and Hitler; a Boston news report about ®™ark; and, finally, the grand prize winner of ®™ark 1998 Corporate Poetry Contest, reading his winning entry.

Born to be Sold: Martha Rosler Reads the Strange Case of Baby M

Martha Rosler tackles mainstream media's representation of the case of surrogate mother Mary Beth Whitehead.

Ashley

Ashley seems to develop a conventional story about a modern mother and wife with typically modern desires. But the insertion of incongruous soap opera scenes soon ensures that the seductive images take on an absurd and oppressive charge. “The antiseptic cleanliness of the imagery has a superficial appeal, but begins to feel claustrophobic—or toxic—after prolonged exposure.”

—Fred Camper, “First Friday Film,” Chicago Reader (26 December 1997)