Music

Starting with an activity as basic as four hands clapping, Landry composes an arresting visual documentation of the fundamentals of music through a play of visual and sonic rhythms. Landry considers these movements “imaginary hand exercises for beginning drummers.”  As disembodied hands swim through shallow space, a strobe light freezes them in the process of clapping, creating a mesmerizing play of eye-ear coordination.

This title was part of the original Castelli-Sonnabend video art collection. 

The Trick Pony Trilogy is a series of parodic instructional videos hosted by the artist and a talking mechanical hobbyhorse. Human and pony present lessons on a series of rule-based systems including Texas country dancing, the film editing principle known as the “Kuleshov Effect,” and football strategy. The pony serves as sidekick and foil to Coonley’s stuttering pedantic Everyman, disrupting his academic demonstrations with songs, whinnies and frequent requests to be brushed.

A fantasia that makes twisted use of elements from the Elektra myth and vampire stories. Imagine a woman listening to Richard Strauss's Elektra while watching Carl Dryer's Vampyr and the dream she might then have that night. The protagonist imagines herself as Elektra. She has an unhealthy obsession over her dead father Agamemnon. She also passionately despises her mother Clytemnestra, as she is the one who murdered her father. Elektra exhumes the ax used to kill her father in his bath.

A glittering, Las Vegas-inspired music video for John Sex’s song "Bump and Grind It".  With an outrageous fountain hairdo (by stylist Danilo), Sex sings his catchy pop lyrics, “You gotta put your love behind it/Bump, bump, bump and grind it.”  Featuring the Bodacious Ta-Tas and inter-cut with Vegas showgirl footage.

This title is also available on Tom Rubnitz Videoworks: Sexy, Wiggy, Desserty.

Bob Snyder is a Chicago-based composer, video artist, and author who has been experimenting with sound and video synthesis since the ’60s. As a musician, his interest has always been in the relationship between music and visual imagery. In Snyder’s work music is the central generative source of meaning, although he also creates a dialogue between sound and images of nature and architecture. Interview by Rafael Franca. 

Drink Deep is a lyrical vision of friendship, hidden secrets, and desires. Cohen uses several types of film image to add texture to the layered composition. Beautiful shades of grey, silver, black and blue echo the water, reminiscent of early photography and silverprints. Cohen says, "The piece was constructed primarily from footage I’d shot of skinnydippers at swimming holes in Georgia and rural Pennsylvania. It’s about water and memory and stories just submerged. It is also, in part, a response to thinking about censorship.

Utilizing a four-way split screen, Divided Alto documents Landry’s improvised flute performance—focusing on the harmonics of the instrument as he plays double and triple chords. The camera centers on the elements that make the music—the mouth and fingers of the musician—as the music moves from counterpoint to synchronization, establishing rhythms that ebb and resurface.  The tape is double-tracked in stereo, video, and audio.