Performance

1976
Peer Bode, 1-87

"Inspired by Ralph Hocking's fish biting video.  Eighty-seven stones thrown, volumes shifting of water sound, a real time performance event. Holding the camera and throwing 87 stones into the frame. 1/2" reel to reel Sony portapack." 

– Peer Bode

2x2
1997

On the narrow stairway that exits Paul Kos’s Tunnel\Chapel, where his 27-channel Chartres Bleu installation is housed, Kos writes with both hands on opposite walls, recording the narrative of Noah’s Ark.

This title is also available on Sympathetic Vibrations: The Videoworks of Paul Kos.

1982
30-Second Spots

Joan Logue cuts down considerably Andy Warhol’s projection of fifteen minutes of fame, with this compilation of 30-Second Spots. Produced to be broadcast as individual, mini-documentaries on the artists and their work, Logue’s short interpretive video pieces feature a prime-time selection of over twenty New York performance artists, composers, dancers and writers, including Mayanne Amacher, Robhert Ashley, David Behrman, John Cage, Lucina Childs, Douglas Ewart, Simone Forti, Jon Gibson, Philip Glass, Spalding Gray, Joan Jonas, Bill T.

2002
3D Trick Pony

An audience-interactive demonstration of Lev Kuleshov’s famous editing experiment, and a 3D review of loosely related principles of subject/spectator empathy.

Note: should be viewed through 3D glasses. See http://store.yahoo.com/rainbowsymphony/an3dglasreda.html 

This title is also available on Ben Coonley: Trick Pony Trilogy.

5%
2001
5%

5% is a ten-minute work that questions the cult of pop stardom, deconstructs music industry practices, considers the problematics of live performance, and suggests other, more anonymous working strategies.

2009
Oded Hirsch, 50 Blue

In 50 Blue a young man (the artist’s brother) pushes an elderly disabled man (the artist’s father) in a wheel chair through a muddy landscape. It is a long and exhausting trip to an unknown destination only discovered at the end. After an arduous struggle the two arrive at the edge of a grey lake where a 10-meter high guard tower stands. The young man ties the wheel chair to a rope and hoists the old man up on the tower platform with the help of eight men, all dressed in yellow plastic raincoats.

2015

 A.K. Burns’ early video works use ritualized performance, finite gestures, dueling and duality to explore power relations and the body. In Electric at the Cosmic Age Lodge (2005) safety-orange spandex clad body-doubles wrestle through outer- and interior space. In Loss in Exchange (2005) two bodies are folded into one through the equilibrium of exchanging a sweatshirt.

2010
Marina Abramovic, From Tuesday to Friday

Mexican video artist Ximena Cuevas documented the preparations and opening of the Marina Abramovic Videoinstalaciones exhibit at Mexico City's Laboratorio Arte ALameda, the first Abramovic exhibition ever to take place in Mexico, in November of 2008.  Cuevas captures the self proclaimed "performance grandmother" in a number of personal and performative moments as she readies for the opening.

2016
Abstracted

A "painter" casts out the demons that haunt his canvases and who creep into his bed at night.

1983
Vito Acconci: An Interview

Vito Acconci (b. 1940) is known as a conceptual designer, installation and performance artist. In the 1960s he embraced performance in order to "define my body in space, find a ground for myself, an alternate ground from the page ground I had as a poet." Acconci’s early performances, including Claim (1971) and Seedbed (1972), were extremely controversial, transgressing assumed boundaries between public and private space and between audience and performer.

2003
After Wegman

An homage to early videoworks by William Wegman, starring Man and Fay Ray's stand-ins.

"Anne McGuire shows that men are dogs."

--Ed Halter, New York Underground Film Festival (2003)

2004
HalfLifers, Afterlifers: Walking and Talking

The HalfLifers exhume cinema’s favorite incarnation of mindless, decaying mortality, the Zombie, in the hopes of breathing new life into this misunderstood figure. From a panel discussion in an old TV studio to a quarantined helicopter high above California’s rolling hills, these life-challenged entities walk, talk, and chew over some of the more difficult questions of this “whole linear birth-death system."

This title is also available on HalfLifers: The Complete History.

2001
Agoraphobic

Agoraphobic is a portrayal of a specific case of New-Age impotence. The agoraphobic's pathology manifests itself as a need to drink his victim's blood in order to move from place to place. Set in an office interior, Agoraphobic becomes a play on the patient / therapist relationship, suggesting an imbalance in the transfer of baggage. 

2005
Alison Knowles: An Interview

The word-based art and performances crafted by world-renowned artist Alison Knowles (b.1933) are central to the 1960s international Fluxus movement and its enduring legacy. Describing her experience as a student at Pratt University in the 1950s where she learned from Richard Lindner and Adolf Gottlieb, Knowles recalls her transition from Abstract Expressionist painting to the chance operations initiated by John Cage and Bertolt Brecht.

1999
All Smiles and Sadness

McGuire constructs a murky black and white soap-opera world of endless, timeless, and placeless limbo, where the characters talk to each other entirely in cliches, bad poetry, and other contrite forms of speech—a short TV show in which nothing is resolved. The video culminates in an absolutely stunning monologue performance by legendary underground film and videomaker George Kuchar.