Poetry

2005
Every Wandering Cloud

Every Wandering Cloud is the first installment in a series of experimental videos inspired by the writings of Oscar Wilde. Interweaving text from Wilde's "The Ballad of Reading Gaol" with hand-drawn animation derived from Eadweard Muybridge's Human and Animal Location, Every Wandering Cloud is a meditation on themes of freedom and imprisonment. The video juxtaposes an eclectic array of archival and contemporary imagery, including documentary footage and original Super-8 and digital video.

2018
Mike Kuchar, Flesh and the Stars

High above the far horizon, a beacon burns cold, bright and calm.

2017
Ephraim Asili "Fluid Frontiers"

Fluid Frontiers is the fifth and final film in the series entitled The Diaspora Suite exploring Asili’s personal relationship to the African Diaspora. Shot along the Detroit River, Fluid Frontiers explores the relationship between concepts of resistance and liberation, exemplified by the Underground Railroad, Broadside Press, and artworks of local Detroit Artists.

1986
Ganapati/A Spirit in the Bush

A song of mourning, praise, and compassion for the sentient creatures with whom we share this planet. Focusing on the myth, history, and natural life of the elephant, the video explores the gulf we have created between ourselves and animals. Powered by the poetry of Lorca, Kipling, and Reeves, this impassioned lament for subjugated and slaughtered elephants earns its polemical stance—a broader relation to inhumanity—by force of its compelling subject matter.

1988
Allen Ginsberg: An Interview

Allen Ginsberg (1926-1997) was a leading American poet who gained notoriety in the 1950s and ’60s through his association with the Beat Generation and the San Francisco Renaissance.  One of the most controversial poets of his time, his book Howl and Other Poems faced an obscenity trial in 1957 and became one of the most widely read poems of the 20th Century. In the '60s and '70s, Ginsberg studied under gurus and Zen masters.

1976
Gray Hairs

Gray Hairs is a visual and aural poem to Man Ray, featuring close-up shots of the dog’s body and a soundtrack of panting, sniffing and licking.

H2
2010
H2

Nurit Sharett visited the city of Hebron over the course of a year, teaching video art to a group of young Palestinian women. Over time the artist established firm relationships with three of her students and their families. The video documents everyday life in that microcosm, dissimilar to any other city.

2012
Stephanie Barber, Healing

The video hovers tentatively between therapy, documentary, poetics and mystic traipsery and ends, like all good things, in surrender to song. There is a challenge presented (the challenge to engage earnestly with the piece as it requests) to fall into the breathing and pacing presented, and the challenge to view the video as a discrete piece of art at the same time. The piece relies heavily on the text, the disembodied Virgil through which the words become musical, instructive and (due to the absence of image) visual.

2016
Mike Kuchar, Hiding Places

In the quiet pre-dawn stillness, a boy gives 'voice' to his soul.

2011
High Rising

Rock and ice soar among the clouds.

-- Mike Kuchar

2012
Matt Wolf, I Remember: A Film About Joe Brainard

Matt Wolf returns to Joe Brainard's iconic poem I Remember (1970) in this videowork. His archival montage combines audio recordings of Brainard reading from the poem, as well as an interview with his lifelong friend and collaborator, the poet Ron Padgett. The result is an inventive biography of Joe Brainard, and an elliptical dialog about friendship, nostalgia, and the strange wonders of memory.

2016

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions.

“I’m from Oklahoma I ain’t got no one to call my own.
If you will be my honey, I will be your sugar pie way hi ya
way ya hi ya way ya hi yo.”

2010
Idolatry

Why is the world still so beautiful when beauty’s self is fled; like the stone boy, mute, motionless and dead in marble loveliness.

2017
In The Jungle

In The Jungle painfully and sorrowfully tells the tale of an unreliable narrator in a self-imposed exile. Given a grant to study the equivalent of animal cries and whines in jungle flora our heroine has lived for 1,612 days deep in an unnamed jungle. This jungle serves as an extended metaphor for excessive and continual growth and death and fear and sustenance; a metaphorical space of chaos in which the scientist finds solace and which stands in contrast to the human jungle of 'civilization'.

Joe
2018
Cecilia Dougherty, Joe

A portrait of New York author Joe Westmoreland. Joe is reading from his short story Sweet Baby Joe. This video was shot in 2014 in Joe's Chelsea loft, and the reading was recorded in 2016.