Politics

Inextinguishable Fire

"When we show you pictures of napalm victims, you'll shut your eyes. You'll close your eyes to the pictures. Then you'll close them to the memory. And then you'll close your eyes to the facts." These words are spoken at the beginning of this agitprop film that can be viewed as a unique and remarkable development. Farocki refrains from making any sort of emotional appeal. His point of departure is the following: "When napalm is burning, it is too late to extinguish it. You have to fight napalm where it is produced: in the factories."

An Image

"Four days spent in a studio working on a centerfold photo for Playboy magazine provided the subject matter for my film. The magazine itself deals with culture, cars, a certain lifestyle. Maybe all those trappings are only there to cover up the naked woman. Maybe it's like with a paper-doll. The naked woman in the middle is a sun around which a system revolves: of culture, of business, of living!

Parry Teasdale: An Interview

Parry Teasdale is a founding member of the early alternative media group Videofreex and its off-shoot Media Bus. More recently, he published a historical memoir, Videofreex: America’s First Pirate TV Station and the Catskills Collective That Turned It On (1999). Interview by Kate Horsfield

Out of the Mouths of Babes

This video proposes an ironic metaphor to grasp the follies of U.S. government action and inaction in Central America. The process of learning U.S. policy is similar to the process of a young child acquiring the principles of language. These dual senses of literacy operate on several levels, situating a child’s consciousness within the contradictions of history comments on the illusory innocence of childhood, and the unexamined, but real, guilt of the U.S. government, its supporters and clients.

Oued Nefifik: A Foreign Movie

Oued Nefifik: A Foreign Movie is an experimental narrative that incorporates an actual political situation. The film was shot in the immediate aftermath of violent repression following food riots in Casablanca, June 1981. It characterizes the experience of a political event for people outside of it. The point of view is that of an absurd and sympathetic character based on Jacques Tati’s Mr Hulot, who is distanced from the post-colonial milieu in which he finds himself.

Now Let Us Praise American Leftists

Now Let Us Praise American Leftists is an experimental video animation that seeks to eulogize and ridicule the American leftist movement of the past century. Foregrounding the exclusionary nature of American leftist politics, and its persistent refusal to allow more diversity in terms of race, ethnicity, and sexual orientation to enter into the larger political daialogue, the video presents representations of American leftists as they are: men with mustaches.

Notes from the Underground

Notes from the Underground is a fragmented music video made from the 151 eye blinks George Bush made during his televised speech declaring war with Iraq. Bush’s eye blinks have been encoded into Morse Code to spell out a statement from 1969 by The Weather Underground.

No homeland/no fear

In 2002 PBS commissioned several Latino filmmakers to create a three-hour documentary on Latino arts" in the U.S. The segment for San Francisco was commissioned to Gustavo Vazquez, who in turn invited me to partake in the project. We decided to feature "re:group," a loose association of S.F.-based performance artists who had created "a multi-ethnic/multi-generational performance lab" in response to the perils of 9/11 and the dangers of the Bush era.

No Blood/No Foul

From the performance by the same name, by Suzanne Lacy, Stan Hebert, Councilwoman Sheila Jordan, Frank Williams, Officer Terrance West, Mike Shaw, and Annice Jacoby, Oakland, 1995-6. Suzanne Lacy worked alongside youth activists, city council members and the mayor’s office to draft a Youth Policy Initiative that would create a dedicated stream of funding to serve youth needs. In the spring of that year, No Blood/No Foul was a performance on the eve of the Policy’s vote by the Oakland City Council, with Mayor, Council members and a large audience in attendance.

New Haven: Abbie Hoffman and the National Guard

Footage of a May 1970 rally featuring political speakers, including members of the Black Panther Party. Abbie Hoffman talks about fighting imperialism at home, and the Chicago 7 Conspiracy Trial. As the crowd chants “Free Bobby Seale,” the Videofreex attempt to interview several National Guardsmen. We see young black men talking to the troops, with one man telling a Guardsman, “I’ve got nothing... I went to Vietnam for you.

Nation

Commissioned by the Whitney Museum of American Art and The American Center in Paris as part of their international Trans Voices project, Nation flashes contradictory formulations of language, politics, and medicine across a sharp and close screen. Blurring geography with the body's landscape, Nation reminds us that our bodies, like land, have been shaped by history into zones to be charted, conquered, divided, or made whole. "Think globally act locally," in one dense minute.

Nancy Spero: An Interview

Best known for her drawings and prints, Nancy Spero has worked as an oil painter on both paper and canvas and with installations. She has been active in many radical groups including WAR (Women Artists and Revolution) and AIR (Artists in Residence), the first women’s cooperative gallery in New York. A historical interview originally recorded in 1982 and re-edited in 2003.

Museum Piece

Made in Germany, October 14th, 2004

While the Iraq war continues, a day's sightseeing and the features of a German hotel provoke a stream of thoughts about events large and small.

Museum Piece is the second episode in the Hotel Diaries series, a collection of video recordings made in the world's hotel rooms, which relate personal experiences and reflections to contemporary conflicts in the Middle East.

Mohamed Yousry: A Life Stands Still

Mohamed Yousry: A Life Stands Still (also known as Good Translator) is a short documentary about Mohamed Yousry, a naturalized American citizen who's life changed radically after September 11, 2001. Mohamed immigrated to the United States in 1980. For the next twenty years, he developed a full and happy life, as a husband, father, and academic. On September 13, 2001 Mohamed was approached by the FBI on his doorstep in Queens, NY. After appeal processes and an attempt to extradite him, Mohamed was sentenced to four years in a federal penitentiary in Fort Worth, TX.

Mike Builds A Shelter

Mike Builds a Shelter is a performance comedy with apocalyptic overtones, a narrative extension of Smith's installation Government Approved Home Fallout Shelter/Snack Bar. In this darkly humorous morality play, Smith contrasts Mike's rural adventures in a pastoral landscape with his home fallout shelter. Throughout, the dual narratives are intercut with episodes of Mike's Show on cable, in which Mike's banal domestic activities are eagerly if passively received by living-room TV viewers.