Visual Art

Alice Aycock: An Interview

During her graduate studies at Hunter College, Alice Aycock began to forge links between personal and more inclusive subject matter and form. In her quest for contemporary monuments, Aycock wrote her Master’s thesis on U.S. highway systems. Aycock’s large environmental sculptures create intense psychological atmospheres. Although she uses primitive rites and architecture as sources, her implementation of contemporary materials removes those specific connotations.

Alice Neel: An Interview

Alice Neel is known for portrait paintings of well-known persons and eccentric New York street types. Neel worked as a figurative painter throughout the decades of WPA realism, postwar abstract expressionism, 1960s Pop, and 1970s minimalism. She persevered in her work despite a turbulent personal life and critical neglect that continued until the 1960s. Neel lived and worked in New York City from 1932 until her death in 1984.

Interviewed by Kate Horsfield.

A historical interview originally recorded in 1975 and re-edited in 2003.

Alex Katz: An Interview

Alex Katz has produced a remarkable and impressive body of work but is best known for his large-scale, flat, yet realistic portraits of friends and family notable for their relaxed attitudes and uncomplicated bearing. In this interview from 1977, Katz talks about the development of his work and the decision to continue making figural work during the high-energy period of Abstract Expressionism. “I knew I had to paint what I saw,” Katz says in this interview with Kate Horsfield. “I never really felt comfortable with generalizations.”

Alexis Smith - Life In America

For the past 20 years Alexis Smith's mixed media work has explored primal American myths: the open road, the bad/good guy/gal, the quest for romance, and the search for paradise. This portrait of the artist explores the roots of her thought and work, and was produced in conjunction with her exhibition at the Whitney Museum of American Art, held in November 1991.

 

Agnes Martin 1976: An Interview

Agnes Martin ruminates on painting from an almost Zen point of view. Martin's art has benn called classical, minimal, or romantic, depending on who's looking at it. There is no question that she has influenced a generation of younger artists. This interview, a rumination on Martin's painting, was shot at Martin’s adobe home, which she built herself in Cuba, New Mexico.

Interview by Kate Horsfield.

A historical interview originally recorded in 1976 and re-edited in 2003. 

Agnes Martin 1974: An Interview

An historical interview with the reclusive minimalist painter originally recorded in 1974 in Cuba, New Mexico and re-edited in 2003. 

Adrian Piper: What Follows...

A philosopher and intermedia artist, Adrian Piper focuses on xenophobia, racism, and racial stereotyping

“As a black woman who can 'pass' and a Professor of Philosophy who leads a double life as an avant-garde artist, Piper has understandably focused on self-analysis and social boundaries. Over the years her work in performance, texts, newspaper, unannounced street events, videos, and photographs has developed an increasingly politicized and universalized image of what the self can mean.”—Lucy Lippard, Issue: Social Strategies for Women Artists (London: ICA, 1980)

30-Second Spots

Joan Logue cuts down considerably Andy Warhol’s projection of fifteen minutes of fame, with this compilation of 30-Second Spots. Produced to be broadcast as individual, mini-documentaries on the artists and their work, Logue’s short interpretive video pieces feature a prime-time selection of over twenty New York performance artists, composers, dancers and writers, including Mayanne Amacher, Robhert Ashley, David Behrman, John Cage, Lucina Childs, Douglas Ewart, Simone Forti, Jon Gibson, Philip Glass, Spalding Gray, Joan Jonas, Bill T.

Point of View: An Anthology of the Moving Image

Point of View: An Anthology of the Moving Image, produced by Bick Productions (Ilene Kurtz Kretzschmar and Caroline Bourgeois) and the New Museum of Contemporary Art, was conceived to make accessible the work of some of the most important artists working in video, film, and digital imagery today. Point of View is the first commercially available anthology of its kind, serving as a point of entry to these new works, and as an ongoing resource for museums, universities, and art schools around the world. 

Art Spiegelman: An Interview

Art Spiegelman was born and raised in New York, and began working as a cartoonist while still in High School. He attended the State University of New York in Binghamton, where he studied Philosophy. Spiegelman, who continued to work as a cartoonist, mainly in underground publications, throughout his schooling, has long been acknowledged as one of our era's foremost comic book artists. However, it was Maus, published in two volumes in 1986, that first brought his work to a mass audience. Maus tells the stories of a Jewish survivor of Nazi Germany and his son.

The Artists: Part 1 (Belinkoff, Krusoe, Holmes, and Clark))

This video features California artists: drawer and painter Deanne Belinoff, sculptor and poet Sana Krusoe, wood relief carver and painter Palema Holmes, and New York-based video artist Shirley Clark.

The Artists: Part 1 was produced in concert with the exhibition Four Solo Exhibitions at the Long Beach Museum of Art in 1988. The artists are introduced by LBMA’s senior curator Josine Ianco-Starrels. The video presents and contrasts the diverse styles, media, and personalities of these four women artists.

The Artists: Part 2 (Dill, Walding, and Delap)

This video profiles the work and insight of California artists: sculptor, painter, and installation artist Laddie John Dill and painter and sculptor Clark Walding. It also includes a mini-documentary on Tony Delap’s The Big Wave, a public art sculpture that crosses Wilshire Boulevard in Santa Monica. 

The Artists: Part 3 (Baron, Nadius And Robinson)

Part 3 profiles three California women artists: sculptor and lint and installation artist Slater Baron, mixed media installation artist Beverly Nadius, and book artist Sue Ann Robinson.

Arlene Raven: An Interview

Arlene Raven is a feminist historian, theoretician, poet, and art historian who has published numerous books on contemporary art and written criticism for The Village Voice and a variety of other newspapers, art magazines, exhibition catalogues, and scholarly journals since 1969. She is a pioneer in progressive education and was an architect of the educational programs of the Feminist Studio Workshop, an independent school. She is also the founder of the Women’s Caucus for Art, the Los Angeles Woman’s Building, and Chrysalis magazine.

Blumenthal/Horsfield, Elizabeth Murray 1977: An Interview

Elizabeth Murray’s paintings have been referred to as “dandyish abstraction.” Although her work has gone through a number of stylistic changes, it has always been characterized by a personal alteration of the conventions of painting. Her work is distinctive in her use of color, shape, and surface with strong elements of humor.

This is the first of two interviews between Murray and Kate Horsfield.

A historical interview originally recorded in 1977.