Early Video Art
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Zachte Berm (from Weiner’s film Plowman’s Lunch) sits with her back to the camera in front of a large mirror—her face, covered with shaving cream, is seen in its reflection. As the soundtrack begins, she tries to lip-sync to the spoken...
Collection: Early Video Art, Single Titles Tags: performance, video history |
This tape is, in effect, a ready-made. Produced by the Pepsi Cola Company for its own use, it was accidentally substituted for one of my tapes in 1974. The mistake in the transfer was a communications mishap that involved a series of people and...
Collection: Early Video Art, Single Titles Tags: consumer culture, media analysis, television, video history |
In this elegant demonstration, Sandin explains the mistake of using common language concepts and spatial relations to describe what actually can happen on the video screen. The images generated in the tape act according to specific parameters set...
Collection: Early Video Art, Single Titles Tags: |
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This tape deviates from the more purely formal investigations of Snyder’s earlier work; it has no soundtrack and uses camera images exclusively. Employing Quantel digital effects and editing procedures, a novelty in video post-production at the...
Collection: Early Video Art, Single Titles Tags: architecture, chicago art, image processing |
Formed in 1969 at the legendary Woodstock Music Festival by David Cort and Parry Teasdale, who met while taping the events with the newly available Portapak video equipment, the Videofreex (also known as "the Freex") were one of the very first...
Collection: New Releases, Single Artist Compilations, Videofreex Archive, Early Video Art Tags: activism, african-american, art collective, body, chicago art, consumer culture, feminism, film or videomaking, image processing, performance, race, state, the, technology, television, video history |
Acconci again confronts both the viewer’s and his own expectations of his performance, saying, "I've waited for the perfect time, for the perfect piece, I'm tired of waiting... but no, you want me to have something ready for you, something...
Collection: Early Video Art, Single Titles Tags: autobiography, body, conceptual art, performance, psychoanalysis |
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In Sonnier’s video tape TV In and TV Out, two images are superimposed, one shot off network television and the other shot from a studio performance situation involving some of the materials and visual qualities of his sculptures. This...
Collection: Early Video Art, Single Titles Tags: image processing, television, video history |
Bill Murray and Christopher Guest lead a behind-the-scenes tour of the 1976 showdown between the Dallas Cowboys and the Pittsburgh Steelers. This irreverent view of football and America's number one sports event examines the "Woodstock of...
Collection: Early Video Art, Single Titles Tags: documentary, humor, television, video history |
Mixing documentary reality with clever comic invention, TVTV decked itself out in tuxedos and ankle-length gowns to cover Hollywood's annual celebration. Following several nominees on the day of the event, TVTV takes the viewer behind the scenes...
Collection: Early Video Art, Single Titles Tags: documentary, television, video history |










