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Yvonne Rainer |
Yvonne Rainer uses a series of literary excerpts concerned with the decline of the Austro-Hungarian Empire in Vienna, and sets them against a dance commissioned from her by the Baryshnikov Dance Foundation in 2000. These elements are juxtaposed in order to highlight the current state of the avant-garde - a period of art-making with all its complex relations to a prolonged historical crisis.
Rainer Variations "For me Rainer Variations is a hybrid: a weave of impressionistic portrait, found footage construction, and video sampler. Aside from formal issues, Yvonne Rainer’s knotty process of thinking, her unique brand of humor, and her engaging presence are the things that were foremost in my mind as I worked on the tape. What I hope will emerge from this process is an interrogative portrait of an artist for whom I have great respect and affection." The avant-garde choreographer in her widely discussed "minimal" solo, a dance from 1965 rebelling against spectacle and decoration in dance. Hand Movie Close-up of a hand, the fingers of which enact a sensuous dance. Volleyball (Foot Film) A volleyball is rolled into the frame and comes to rest. Two legs in sneakers, seen from the knees down, enter the frame and stand beside it. Cut to new angle, same characters and actions. Rhode Island Red Ten minutes in an enormous chicken coop. Trio Film Two nudes, a man and a woman, interact with each other and a large balloon in a white living room. Performed by Steve Paxton and Becky Arnold. Line A blond woman (Susan Marshall) in white pants and shirt interacts with a moving round object and the camera. |