The Brown Sheep Project

In 2002, my troupe, La Pocha Nostra and I were invited to conduct a workshop at Columbia College in Chicago with 15 students and faculty from different departments. At the end of the two-week workshop, we created a large-scale performance-installation with the participants. Canadian video artist Liz Singer was invited to shoot the entire process, from the early workshop exercises, meant to connect students with their bodies and build a sense of community, up to opening night... In this documentary we reveal the working methods and radical pedagogy of La Pocha Nostra.

--Guillermo Gómez-Peña, 2007

This title is only available on Border Art Clásicos (1990-2005): An Anthology of Collaborative Video Works by Guillermo Gómez-Peña.