In Order Not To Be Here

2002 | 00:33:00 | United States | English | B&W and Color | Stereo | 4:3 | 16mm film

Collection: Single Titles

Tags: Architecture, Crime or Violence, Environment, Mental Landscape, Surveillance

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An uncompromising look at the ways privacy, safety, convenience and surveillance determine our environment. Shot entirely at night, the film confronts the hermetic nature of white-collar communities, dissecting the fear behind contemporary suburban design. An isolation-based fear (protect us from people not like us). A fear of irregularity (eat at McDonalds, you know what to expect). A fear of thought (turn on the television). A fear of self (don’t stop moving). By examining evacuated suburban and corporate landscapes, the film reveals a peculiarly 21st Century hollowness… an emptiness born of our collective faith in safety and technology. This is a new genre of horror movie, attempting suburban locations as states of mind.

Original electronic music by Kevin Drumm.

“In an interview a few years ago, experimental filmmaker Deborah Stratman listed Barbara Loden and Jon Jost among her key influences, and the impact of both these diffident figures, icons in an increasingly evanescent hardcore avant-garde filmmaking tradition, is evident in Stratman’s latest film [that] continues her forbears’ tendency to bring cheerfully enigmatic formal verve to their scornful disdain of American hypocrisy. Stratman’s film employs the codes of surveillance footage--black-and-white images shot from a helicopter at night, for example--to question notions of personal safety, next to the frightening facts of an increasingly omniscient, panoptic government. The filmmaker deftly mobilizes our fears as the vulnerable inhabitants of peaceful homes that attract thieves and crazed ax murderers, while at the same time prompting worries about encroachments on civil liberties… This uneasy but graceful combination is no easy feat!”

--Holly Willis, LA Weekly

Prizes + Awards

Vila Do Condo International Short Film Festival 2003, Grande Premio Experimental

Humboldt International Film Festival 2003, Best Experimental

Ann Arbor Film Festival 2003, Best Experimental and Best Narrative Integrity

Media City Film Festival 2003, Honorable Mention

Cinematexas 2002, Gecko Award for Best Short Film

Chicago Underground Film Festival 2002, Best Experimental

Thaw Film/Video Festival 2002, Best of the Festival

Premiere

Thaw Film Festival
Iowa City, IA
2002

Exhibitions + Festivals

 

VideoEx (Zurich, Switzerland), 2005

 

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