Animation

2001
PAS DE DEUX DE DEUX

The orchestra begins and a male and female dancer move from opposite sides of the stage. The dancers embrace and begin the White Swan pas de deux from the ballet Swan Lake. However this is not the ballet as it is normally performed. The choreography has been re-staged so that in every single frame the two original dancers have been replaced by the bodies of four new dancers. The movement remains continuous, the characteristics of the dancers’ movements and gestures the same, but in each frame a different person occupies the dancers’ body spaces.

2008
Ponytail

This feature-length video follows several inflicted characters and recounts the ways in which they find resolve. A series of entropic scenarios held together by an attraction to failure and its spectacle describe the characters' malfunction - their inability to fulfill personal desire. Compelled by the consequences and rewards of their attempts they question their own trajectory. Using elements of melodrama, performative monologue and traditional narrative structure Ponytail presents a unique society of characters that destroy the distinction between memory and invention.

1997
Pool Boy

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons, whose springboard becomes a surfboard as he fantasizes about his days as a lifeguard in 1963, when the young Brian Wilson would sit and jot down the songs he would sing while saving lives.

2009
Prim Limit

If second lives have grown into the landscape of social network space and avatars engage a full range of human emotions and experience, it follows that they would eventually encounter existential questions. A plot of land is purchased in the online network of SecondLife and a simple questions is asked: Where do discarded 3D objects go and can we build a dumpster to accommodate them? To find out eteam set aside a year to let this virtual land use problem unfold and what is captured in Prim Limit is the lived experience of avatars managing and recording this dumpster.

2020
Primavera, Adrian Garcia Gomez

Primavera is a frenetic experimental animation that documents the pandemic and the Black Lives Matter protests as they intersect in springtime Brooklyn. Shot during isolation on a phone, the video explores the effects of imposed distance on touch and intimacy, the proximity of an invisible virus and invisible deaths, and the revolt against the racist, corrupt systems that commodify, exploit and render their most vulnerable citizens disposable.

2010
Intensive Care, Hatice Güleryüz

Named after Hatice Güleryüz’s haunting short film, with its disturbing yet iconic images, this program presents unsettling situations narrated with both considerable emotional investment and critical distance. In her work Intensive Care, Güleryüz films a boy’s circumcision, then tilt’s up to the boy’s silent, angelic face. In another work, The First Ones, she films a group of school children singing the national anthem; a take on nationalism made with so much love.

2003
Re-Animation 3, 4 & 2

Re-Animation 3,4, & 2 are short animations created by looping images of dead insects taken from the artist’s own amateur entomological collections. Each frame of video within a loop is an image of a separate insect in its own distinct contortion. The variety of contortions, coupled with the similarity between insects of the same species, creates the stop motion movement of an individual insect in the final video.

2002
RE: THE_OPERATION

Based on a set of drawings that depict George W. Bush's administration as wounded soldiers in the war against terrorism, RE:THE_OPERATION explores the sexual and philosophical dynamics of war through the lives of the members as they physically engage each other and the "enemy." Letters, notes, and digital snapshots "produced" by the members on their tour of duty become the basis of video portraits that articulate the neuroses and obsessions compelling them toward an infinite war.

2014

Steve Reinke has long been lauded for his irreverent, philosophical, and often acerbic works, which typically adopt the form of personal essays to wryly bend and reread wide-ranging topics, from pop culture, to sex, to theories of visual perception and beyond. Reinke’s video, included in the 2014 Biennial, Rib Gets in the Way, is narrated in the first person by Reinke, and addresses mortality, the body, the archive, and the embodiment of a life’s work.

2002
Secret Love

To the background of village celebrations a father questions his daughter about a suspected lover. She cleverly deflects him with her answers but the passions rise, the villagers take sides and what began as harmless banter becomes bitter and angry. Inarticulate with rage the father mounts his horse and the male villagers set out to begin a cycle of violence seemingly without end. In this traditional Nordic song a pattern of developing and irrevocable anger emerges which we are familiar with both in domestic violence and international conflict.

2012
Semiconductor Videoworks: Volume 1

Ruth Jarman and Joe Gerhardt, who comprise the UK artist duo Semiconductor, make moving image works that explore the material nature of our world and question our place in the physical universe. This collection of works shows Semiconductor’s adoption of scientific tools, processes and philosophies that encourage artefacts, errors and interference as a way to reflect on the presence of the human as observer.

2006
Small Miracles

Small Miracles is a suite of eight video animations in which the artist conjures up and controls forces of nature. Ignoring rational constructs of what is possible, Hechtman creates imaginary works to ground science fiction in the everyday experience. Coupling feminism and natural phenomena, the videos are located in the liminal space between fantasy and the everyday.

2005
Soft Science

Soft Science is a collection of video-curiosities created by artists and scientists. Behind laboratory doors are some of the most astonishing "outsider" art projects around. Autopoetic bacteria, tethered flies, ebullient nanogears - these data gems create wonder, beauty - not to mention knowledge. Artists have been mining science for years - in diverse experiments with icky substances, authority figures, and the ever-elusive idea of Reason. This unique program includes digital movies by biologists alongside contemporary video art.

2006
Some Ghosts

Some Ghosts incorporates embroidery and stop-motion animation techniques to create a colorful dreamscape in which an unwitting spaceman releases angry spirits from a haunted medicine cabinet.

2007
Songs of Praise for the Heart Beyond Cure

Songs of Praise for the Heart Beyond Cure is a fourteen-minute experimental video that unfolds through a series of short episodes. "To describe Cooper Battersby and Emily Vey Duke's new video as ironic doesn't do it justice.