Executive Producer, Suzanne Lacy; Director, Steve Hirsch; Editor, Doug Gayeton.

From the performance Freeze Frame: Room for Living Room by Suzanne Lacy, Julia London, Ngoh Spencer, and Carol Leigh, San Francisco, 1982.


The Soft Science “Cinema of Attractions” is a series of short movies by scientists. Commission and concept by Rachel Mayeri, electronic compositions and musical accompaniment by Joe Milutis. Many of the videos can be found on the web, posted for public appreciation of a scientist's lab work, as instructional material, or for communication to peers as data. As "data," the videos are non-narrative, scientific information.

Stoney Does Houston

In this irreverent and hilarious videotape, renowned street performer Stoney Burke leads us on a subversive tour of the 1992 Republican National Convention in Houston’s Astrodome. Burke disregards the traditional terms of “political debate” offered by the network news establishment, and zeroes in on the questions that never get asked, confronting such Republican luminaries as Oliver North, Neil Bush, Pat Robertson, Jack Kemp, Sen. Alfonse D’Amato, and Rush Limbaugh (among others), on issues that are glossed over during the convention.

Strike Anywhere

Strike Anywhere is a video essay that takes as its point of departure Swedish "Match King" Ivar Kreuger, whose privatization of financial crisis management strategies bears a direct relation to late-20th Century policies implemented by the IMF and WTO. Between 1917 and 1932, Kreuger capitalized on shifts in global financial markets to control over 200 companies and establish matchstick monopolies in at least 34 countries. At the height of his success, Ivar Kreuger was worth approximately 30 million Swedish kronor (the equivalent of 100 billion USD today).

The Sun Glows Over the Mountains

A wistful film on the love of homeland.

Video artist Nurit Sharett recounts her childhood memories and converses with her Palestine-born parents who grew up in the British Mandate years.  They both took part in realizing the Zionist dream of establishing the State of Israel, a dream now shattered before their eyes.

Sunday School with Franz Hinkelammert

The violent overreaction to 9/11 and to the revolutions of the 1960s cannot be explained only with fear and politics. Franz Hinkelammert, a German-born liberation theologian, economist and philosopher, brings religion front and center to the discussion in a unique way. The emptiness and senselessness felt by those at the margins of a free-market utopian ideology has been filled by an extreme millenarian Christianity and other religious fundamentalisms that justify murder and torture as preemptive self-defense.

Surveying the First Decade: Video Art and Alternative Media in the U.S.  1968-19

Since its original release in 1995, this comprehensive two-volume, eight-program package on the history of experimental and independent video curated by Christine Hill was available only on VHS tape. The DVD launch brings this essential tool for the understanding of the development of media arts to a whole new generation of teachers, libraries, students and researchers.

Surveying the First Decade: Volume 2

This comprehensive package on the history of experimental and independent video is an essential tool for teachers, libraries, and researchers. Volumes 1 and 2 include over 16 hours of historic video on eight thematically curated programs, exploring conceptual, performance-based, image-processed, feminist, documentary and grassroots community-based genres.

Volume 2 includes:

Program 5: Performance of Video-Imaging Tools


Sylvia is a portrait of the civil rights pioneer Sylvia Rivera for her memorial service in 2002, as told by her chosen family immediately following her death. "A veteran of the 1969 Stonewall uprising, Sylvia was a tireless advocate for all those who have been marginalized as the 'gay rights' movement has mainstreamed. Sylvia fought hard against the exclusion of transgender people from the Sexual Orientation Non-Discrimination Act in New York, and was a loud and persistant voice for the rights of people of color and low-income queers and trans people."

 The Target Shoots First

“Christopher Wilcha’s fascinating feature-length video reminds us how seldom we’re allowed to see certain businesses operating from the inside. Wilcha, a 22-year-old college graduate and alternative-rock enthusiast, was hired by the Columbia Record and Tape Club—apparently as a fluke—to help launch a whole new niche-marketing division, which brought him face-to-face with the contradictory meanings of the term ‘alternative’ once it’s been embraced by the mass market.

Thank You Brother, Keparí Idub'Radá

Divino explains how he got introduced to video. “Filming is my profession; that’s what I was born to do... not for the work with the axe. I wasn’t born to plant. I already said this to my wife.” Today, Divino dominates the language of video and its filming and editing techniques. He also talks about working in partnership with his community.

Directed by Divino Tserewahu; edited by Tutu Nunes.

In Portuguese with English subtitles.

Michael Gitlin, That Which Is Possible

That Which Is Possible is a portrait of a community of painters, sculptors, musicians and writers making work at the Living Museum, an art-space on the grounds of a large state-run psychiatric facility in Queens, New York. Shot over the course of two years and structured across the arc of a day, the film observes with an intimate lens and unspools like a musical, both bracing and tender. That Which Is Possible explores the liberatory and reparative functions that creative action has for a group of artists drawn together by shared struggle.


Cande and Pancha’s daughter Maria Luisa and Marisela and Cachuchas’ daughter Veronica believe their fathers are locked in a competition for grandchildren. It’s now 3-0 Cande. Several years later, Cachuchas gives me a lesson in car repair then with Cande considers the change in score, 4-2 Cande.


Ramon's attraction to his Mexican hometown has resulted in his building a massive new residence for his family. However, his wife, Rufina and their grown children have no interest in leaving the U.S. The building has now been transformed into a hotel. The completed construction, in the middle of cornfields, while finished for 5 years, is been frustrated by the local government’s refusal to turn on the electricity.


Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country. This is an indigenous culture of food, music, language, and bawdy French-language jokes – something you don’t see much anymore in America. The event is rural Mardi Gras, where beer-drinking, boudin-eating men and boys on horseback capture and behead chickens for a big gumbo and town dance.