Found Footage

2008
The Eternal Quarter Inch

Rising fundamentalism and a government that cites faith to defend war actions have helped grow a desperate society. Dipping between ecstasy and despair, transcendence and absurdity, this movie journeys to a hidden space where you can lose your way, lose yourself in the moment, lose your faith in a belief system. An exhausted and expectant crowd waits on this narrow span. It is not a wide stretch, but it can last forever.

2009
Excess

A rumination via handwritten index cards and an assortment of images recalling histories and ambitions of varied film productions.

1998
Family Court

Family Court introduces us to the world of good, clean, family fun and leisure. 

This title is also available on Animal Charm Videoworks: Volume 2, Hot Mirror Mix.

2009
Kent Lambert "Fantasy Suite"

Fantasy Suite was the last standard definition video I made from VHS tapes. Like WHS VHS #1, I made it to premiere at Roots & Culture’s Zummer Tapez, and speed manipulation figured heavily into its construction (the Bachelor material was not interesting or even tolerable at normal speed, but slowed down slightly, it became fascinating to me). Shana Moulton’s work was a strong influence on this video (I programmed my piece to play after hers in the Zummer mixtape), hence the animated facial masks and SkyMall imagery.

2012
Jim Finn Videoworks: Volume 2

Jim Finn’s films and videos have been described as “Utopian comedies.” In the four works that comprise Jim Finn Videoworks: Volume 2, the comedy that emerges through Finn's (not so) exaggerated interrogation of the products and symbols of authoritarian State identity gives way to a more solemn and ominous look at the machinations of the State as it seeks the domination and pacification of its publics.

2001
The Great Mojado Invasion, Part 2 (The Second U.S.-Mexico War)

In The Great Mojado Invasion (The Second US - Mexico War), writer/performer Guillermo Gómez-Peña and filmmaker Gustavo Vazquez combine Chicano wit and political vision to create an ironic, post-millennial and postmodern look at the future of U.S./Mexican relations. Both artist and director generate a complex commentary on history, society, pop culture, the politics of language and the repercussions of ethnic dominance.

2008
Hold Me Now

Plagued by blindness, sloth, and devotion, a troubled scene from Little House On The Prairie offers itself up to karaoke exorcism.

— Michael Robinson

2008
Home

Home is about disappointment in northern Ohio. The scoreboard depicted is on the grounds of Mansfield Senior High. The sentiment conjures the close call.

This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.

2018
Horsey, Frédéric Moffet

An allegory recycling images from the past, still relevant to the present moment.

“Horses are lucky, they’re stuck with the war same as us, but nobody expects them to be in favor of it, to pretend to believe in it.”

— Louis-Ferdinand Céline, Journey to the End of the Night, 1932

1998
Hot Mirror

A hyper-collage endurance test of sado-masochistic proportions, mixing an anthology of corporate video music with a feng shui video.

This title is also available on Animal Charm Videoworks: Volume 2, Hot Mirror Mix.

2001
Il Mouille

You never thought that Franco-American relations could be so fun! A French thriller in the tradition of the Marquis de Sade, getting it on with Roger Corman's from-the-hip philosophy.

This title is only available on Animal Charm Videoworks: Volume 3, Computer Smarts.

2003
Imitations of Life

"It may indeed be questioned whether we have any memories at all from our childhood: memories relating to our childhood may be all that we possess. Our childhood memories show us our earliest years not as they were, but as they appeared at the later periods when the memories were aroused. In these periods of arousal, the childhood memories did not, as people are accustomed to say, emerge; they were formed at that time. And a number of motives, with no concern for historical accuracy, had a part in forming them, as well as in the selection of the memories themselves."

2012
Jesse McLean, The Invisible World

A deceased hoarder, reconstituted through technology, recounts a difficult childhood as inhabitants of a virtual world struggle to reconcile materialistic tendencies. A scientist leads an effort to understand the passage of time, but the data is unreliable. The question remains, what happens to our things after we are gone?

2012
Les LeVeque Videoworks: Volume 3

In Les LeVeque Videoworks: Volume 3, Les LeVeque explores time and the way in which it can be manipulated to affect the communication of emotion. In the first video, pulse pharma phantasm, LeVeque collapses 9 different pharmaceutical commercials into one another to the point that they cease to communicate relaxation or relief and instead create a visual cacophony whose erratic pulsations become almost hallucinatory. LeVeque’s point is to problematize the systematization of appeals to consumers through the use of tropes for the communication of comfort and tranquility.

2000
Les LeVeque Videoworks: Volume 2

Utilizing strategies of condensation and re-assemblage, these three pieces take Hollywood classics as their starting point. The re-editing process shifts and displaces old meanings until new ones are made.