Gender

1990
In the Queen City: Part Three, Glenn Belverio

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

An episode of The Brenda and Glennda Show, hosted by Brenda Sexual and Glennda Orgasm. Production Support Provided by Hallwalls Contemporary Art Center.

1990
In the Queen City: Part Two, Glenn Belverio

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

An episode of The Brenda and Glennda Show, hosted by Brenda Sexual and Glennda Orgasm. Production Support Provided by Hallwalls Contemporary Art Center.

1993
Joe-Joe

Taking queer artistic license, Dougherty and Leslie Singer together portray a gay male playwright who took 1960s London by storm. The result is a witty play on narcissism and split personality that captures the banality of stardom while paying tribute to promiscuity and transgression. Filmed in black and white pixelvision and color video, this tape continues Dougherty’s exploration of counter-culture identity through lesbian portrayal, the same ingenious bait-and-switch device seen at work in the lesbian portrayal of the Beatles in her earlier tape, Grapefruit.

1983
Journey to the Sun, Varble

Stephen Varble began Journey to the Sun as a series of performances with projected slides in 1978. After becoming notorious for unauthorized costume performances on Soho streets in the mid 1970s, Varble receded from his public persona at this time. Deriving from his identification with his idol, the reclusive actress Greta Garbo, and informed by the spiritual practice of Subud, Varble began writing an allegorical epic about a musician, the Grey Crowned Warbler, who undergoes tribulation and metamorphosis on a journey to transcendence.

1970

Eerily drifting through soft fades, superimposed images, close-ups, and visual feedback, this tape follows less a narrative structure and more a stringing together of seemingly random activities, set against two very different soundtracks. The video opens with David Cort reclining on the ground as psychedelic rock plays in the background. Two shots alternate between frontal and profile as he lazily plays with his beard and face – the streams of footage melding together with the use of live editing.

1995
Ladies Who Lunch at Lollapalooza, Glenn Belverio

In this video, Glennda Orgasm and Jackie Offie attend Lollapalooza '95 on Randall's Island, New York. Glennda and Jackie sing punk rock songs on the drag stage, and Glennda challenges Courtney Love to a fistfight. The video also shows other performances on the stage, and features Bruce LaBruce's music video for The Riverdales' Fun Tonight.

1982
Lady Hercules, a Prelude to ‘Journey to the Sun’, Varble

The performance artist Stephen Varble spent the last five years of his life working on an epic, unfinished performance-turned-video titled Journey to the Sun (1978-1983). Only partially complete and under constant revision, this complex work combined Varble’s history of making costumes for performances, with his fantastic stories involving metamorphosis and martyrdom. In 1982, Varble decided to make a “prelude” to Journey to the Sun, combining existing footage with new video taken in Riverside Park in New York City. This self-contained video differs greatly from the bulk of Journey to the Sun in that it is not constructed around the main narrative, but rather is composed of prefatory remarks and extended footage of outdoor scenes, and contains no dialogue. The main aim of this prelude was to provide a key to some of the main sources for Varble’s thought — actress Greta Garbo, spiritual leader George Gurdjieff, and founder of the Subud movement Muhammad "Pak" Subuh.

1991
Lesbian and Gay Pride Parade 1991, Glenn Belverio

In this video, Brenda and Glennda attend and interview participants at the 1991 New York City Pride March. Speaking with a range of attendees, they underscore the significance of non-white queer communities, diverse gender and sexual identities, and political causes at pride events.

1992
The Lesbian Museum, Glenn Belverio

At the Lesbian Museum, Brenda and Glennda interview artists at the opening of Christine Martin’s controversial exhibition The Lesbian Museum: 10,000 Years of Penis Envy at Franklin Furnace. For the exhibition, each artist (including Brenda and Glennda) were given a dildo and asked to turn it into a work of art. The phallus, Freudian philosophy, and female criminality are discussed as a way of analyzing lesbian identity. 

2012
Les LeVeque Videoworks: Volume 3

In Les LeVeque Videoworks: Volume 3, Les LeVeque explores time and the way in which it can be manipulated to affect the communication of emotion. In the first video, pulse pharma phantasm, LeVeque collapses 9 different pharmaceutical commercials into one another to the point that they cease to communicate relaxation or relief and instead create a visual cacophony whose erratic pulsations become almost hallucinatory. LeVeque’s point is to problematize the systematization of appeals to consumers through the use of tropes for the communication of comfort and tranquility.

2005
Little Spirits

Little Spirits is about a young girl who plays a trick on a friend, unaware or uninterested in the possible consequences.

This title is also available on Cecelia Condit Videoworks: Volume 2

2017
Liz/James/Stillholes (2005/2017), Liz Rosenfeld

An exploration of cruising glory holes, feminism, and general queer frustration.

2018
Arbitrary Fragments, Barbara Aronofsky Latham

The emergence of video art tools in the late 1960s and early 1970s paved the way for an extraordinary number of outstanding art works by women. Captivated by the relative accessibility, portability and immediacy of Sony’s Video Portapak recording system, a significant number of female artists began to experiment with the video format. Often taking a direct-to-camera approach, many of the resulting works reflect the burgeoning feminist movement in the U.S. at the time.

2018
Lyndale, Oli Rodriguez

LYNDALE is a story of shifting family dynamics, told through the relationship of two brothers. Shot on ten different video formats, this experimental documentary is both the story of a Chicago family, and a record of the digital revolution in the early 2000s. The piece takes place over a six-year period during which filmmakers Oli Rodriguez and Victoria Stob shared a house with Rodriguez’s brother, Jeff.

1994
Alix Umen & Lisa Prisco, Mad About the Boy

This experimental Pixelvision piece explores the tenuous boundaries of gender through a series of mini-sequences, among them a group of anecdotes told by women who have been mistaken for men and a must-see synchronized barbershop scene.