Interview

1991
Dee Dee Halleck and Bob Hercules: An Interview

Dee Dee Halleck is a media activist, one of the founders of Paper Tiger Television and the Deep Dish Satellite Network, and was a professor in the Department of Communication at the University of California-San Diego. Her first film, Children Make Movies (1961), was about a filmmaking project at the Lillian Wald Settlement in Lower Manhattan. She has led media workshops with elementary school children, reform school youth, and migrant farmers.

1978

Among the leading pioneers of the eco-art movement, the collaborative team of Newton and Helen Mayer Harrison (often referred to simply as “the Harrisons”) have worked for almost forty years with biologists, ecologists, architects, urban planners and other artists to initiate collaborative dialogues to uncover ideas and solutions which support biodiversity and community development.

1976
Robert Heineken: An Interview

Robert Heineken (1931-2006) used technically sophisticated photographic methods to mingle erotic images with visuals from TV and advertising. The American artist was known for appropriating and re-processing images from magazines, product packaging or television. In the "Are You Real" series from 1964 to 1968, he created a portfolio of images filled with unexpected and sometimes surreal juxtapositions by placing a single magazine page on a light table, so that the resulting contact print picks up imagery from both sides of the page.

1989
Helen and Newton Harrison

This husband and wife team has collaborated on numerous projects in the U.S.and abroad. Their approach to making art involves finding solutions to ecological problems. Both are emeritus professors in the department of visual arts at the University of California-San Diego. Interview by Michael Crane.

 

1989
Helen and Newton Harrison: Altering Discourse

Eco-artists Helen and Newton Harrison define truth as a series of interactions that anyone may join. The Harrisons choose survivalist subjects because we have so encroached upon this environment, we must give it every advantage we can. Only available on the Fellows of Contemporary Art compilation.

 

1970
Hells Angels Party

In a conversation with one of the Hells Angels at a party the motorcycle gang has thrown in Manhattan, the interviewee introduces “Kenny, from the Videofreex” to his friends, commenting (presumably explaining the Videofreex project): “like low class society type shit.” At the Hells Angels party, the Videofreex exemplify their position as a documentarian group for alternative media, navigating the cramped space of the party to conduct interviews with members of the highly controversial Hells Angels group.

2015
Louis Henderson: An Interview

Louis Henderson’s work focuses on anti-colonialism and criticizing the neocolonialisation of cyberspace.  Born in England in 1983, he graduated from London College of Communication and Le Fresnoy - Studio national des arts contemporains. He recently finished a post-diplôme at the European School of Visual Arts.

1991
Elizabeth Hess: An Interview

Elizabeth Hess addresses issues of censorship, AIDS, war, feminism, and politics in general. She has written extensively on women’s issues, contributes to The Village Voice, and is co-author of Re-Making Love: The Feminization of Sex (1986). Interview by Lucy Lippard.

1978
Doug Hollis: An Interview

Douglas Hollis (b.1948) was born in Ann Arbor, Michigan and continued to live there throughout the years of his college education at the University of Michigan. From an early age he had a deep interest in Native American culture. His experiences traveling in Oklahoma to live with Indian families has strongly influenced his life and his art ever since. Hollis began working with natural phenomena and responsive environment structures in the later part of the 1960's. At that time he completed several projects with musicians, dancers, film makers, engineers, and physicists.

1972
Howardena Pindell, Hermine Freed

Taped shortly after the creation of the Air Gallery, this conversation between painter Howardena Pindell and Hermine Freed concerns the women’s independent gallery and its role in the feminist movement. Pindell also discusses the development of her work and the relation between black artists and the art world.

1983
Warrington Hudlin: An Interview

Documentarian and independent film producer Warrington Hudlin co-founded the Black Filmmaker Foundation in the late-1970s to help develop and promote emerging artists. More recently, he has been involved in DV Republic, a web-based alternative media site that is “socially concerned, entertainment driven,” and the screening series World Cinema Showcase, hosted by the American Museum of the Moving Image. 

Interview by Shelley Shepard.

A historical interview originally recorded in 1983. 

2016
Juliana Huxtable: An Interview

Juliana Huxtable was born in Texas and studied at Bard College, NY. An artist working across video, photography, poetry, and music, her practice demands a reexamination of the canon of art history in order to break the cycle of misrepresentation and under-representation in the contemporary art world.

2019
Ibrahim Mahama: An Interview

Born in 1987, Ibrahim Mahama is an artist and author who creates monumental installations out of materials originating from Ghana, Mahama's home. Described in The Guardian as "a junkyard utopian", he investigates the conditions of supply and demand in African markets, often making work with materials like cocoa and jute sacks.

1976
Blumenthal/Horsfield, Robert Irwin: An Interview

Robert Irwin (b. 1928, Long Beach, California)  followed in the Abstract Expressionist tradition until he shifted his focus onto installation projects that play upon site-specific uses of light. Since the 1980s, he has created large-scale public space designs that use natural light, plants, and garden architecture.

1978
Miyoko Ito: An Interview

Miyoko Ito was known as an “abstract surrealist.” Her paintings are landscape-based abstractions of very intense subtleties of structure and color.  Ito was born to Japanese parents in Berkeley, CA in 1918. She studied art at the University of California at Berkeley for a short time until she was imprisoned in a Japanese-American camp after the bombing of Pearl Harbor. Ito continued her education in prison, after which she attended Smith College. She was then given a scholarship to attend the School of the Art Institute of Chicago. It was in Chicago that Ito's career as an artist flourished, where she explored cubism and latent abstraction in her works. Ito remained in Chicago until her death in 1983.