Literature

2002
After Many a Summer Dies the Swan: Hybrid

Yvonne Rainer combines a dance performance she choreographed for Mikhail Barryshnikov’s White Oak Dance Project in 2000 with texts by Oscar Kokoschka, Adolf Loos, Arnold Schoenberg, and Ludwig Wittgenstein—four of the most radical innovators in painting, architecture, music, and philosophy to emerge from fin-de-siècle Vienna.

2017
ETEAM "The Afterlife of Working Gloves and why Mother Nature doesn’t wear them"

For over two years we made it our business to document abandoned working gloves on the streets of NYC. The feelings and thoughts that surrounded this activity connected to the ways his family relates to Gregor Samsa as a cockroach, or whatever Franz Kafka intended him to be in The Metamorphosis after his transformation from a productive citizen to a useless insect. When Gregor can't grant them a comfortable life-style any longer, his family starts to resent and hate the once loved and respected provider, finds him disgusting.

1998
The Albatross

A ship sets sail on an epic voyage through malignant natural and supernatural elements from which one man alone survives. An adaptation of Samuel Taylor Coleridge's The Rime of the Ancient Mariner illustrated by19th Century wood engravings which are animated by scratching directly into the surface of color filmstock.

2008
All Through the Night

A charred visitation with an icy language of control: "there is no room for love". Splinters of Nordic fairy tales and ecological disaster films are ground down into a prism of contradictions in this hopeful container for hopelessness.

— Michael Robinson

2002
Anal Masturbation and Object Loss

"Ever on the lookout for learning opportunities, Reinke envisions an art institute where you don’t have to make anything, and with a library full of books glued together. All the information’s there—you just don’t have to bother reading it!"
—New York Video Festival (2002)

 

2010
as the waves play along with an invisible spine (the workers die)

as the waves play along with an invisible spine (the workers die) is a stroboscopic work that pulsates black and white at approximately 14 Hz. Buried within that field of pulsation is a 90 second algorithmically condensed version of John Huston's 1956 film Moby Dick. Huston's minimal close-ups of the doomed sailors flicker as afterimage ghosts as approximately 4Hz in the visually unstable field of alternating black and white frames.

So long as the creature lives

it must carry forth its vertebrae

as the waves play along

2016

Largely focused on the critical use of language both archaic and contemporary, poet Caroline Bergvall’s work asks questions about cultural identity and feminism and explores challenging or unknown historical and political events. She works across multiple media practices including audio texts, plurilingual poetry, installation and Performance Writing.

2001
Dara Birnbaum: Damnation of Faust Trilogy

Using Wagner's Faust as a touchstone, Damnation of Faust is a trilogy of highly structured and composed video works evoking a free-floating, non-linear dream or memory. The broad themes of the work are conflicting forms of societal restraint and the struggles to define and express personal identity.

 

1989
Blind Country

This collaborative video project is based on a short story by H.G. Wells called "The Country of the Blind"—about a man who travels to a country of blind people and attempts to dominate their sensual, feminine culture with his male, sight-derived power. Following this theme, Blind Country begins with animated fruit dancing over Mike Kelley’s body and the admonition of “Northerners” to “refill the quickly emptying sack.” In the male-dominated land of the North, candy-spurting pinatas stand as phallic symbols.

2002
Blot Out the Sun

A garage in central Portland, Oregon is the setting for this conceptual re-working of James Joyce’s Ulysses. The garage owner Jay, mechanics and neighborhood denizens serve as narrators, reading lines from the novel that focus on death, love, social inequality and the relationship between individuals and the universe.

2017
Book Report, Jeanne C. Finley John Muse

Book Report explores themes of sexual assault, the weaponization of language, and the futility of escape. It combines short sequences of Mad Men's Don Draper with relevant facts about the 2016 presidential campaign — including a history of the hashtag #trumpbookreport and notes on a payment to the mysteriously named “Draper Sterling” ad agency. A choral voice-over, drawn from the infamous Access Hollywood transcript, revises the misogynist “locker room talk,” turning it against the original speaker.

1999
Emily Breer: Classics Exposed

Like a couple of kids pawing through a costume trunk, filmmaker Emily Breer and performance artist Joe Gibbons delight in trying on the attitudes and artifacts of culture. High culture and low —everything is fair game as far as these witty creatures of surreal collision are concerned. Breer's breezy, off-hand declaration, "I'm a postmodern superhero—watch me deconstruct!" perfectly captures the playful spoofing of academia and the anarchic spontaneity found in both artists' work...

CB
2011
CB

CB is an experimental bio-pic: its heroine, Charlotte Brontë. A collaboration between Doug Ischar and Tom Daws, CB was commissioned by the Laumeier Museum, St. Louis, for their inaugural Nightlight series.

2008

I loved and was haunted by Jon Krakauer’s book Into the Wild and found Sean Penn’s cinematic adaptation to be absurdly overwrought. My original plan for condensing it was to string together all of its grandiose slow-motion shots. I quickly realized that the result, like the movie itself, would be interminably long. A friend suggested that I leave out everything but the five-second shot that provoked me to make my video in the first place, the shot at which several audience members in the second-run theater (including me) laughed out loud.

2001
Connections: Ray Johnson On-Line

A portrait of the American artist Ray Johnson (1927-95), driving force behind the New York Correspondence School of the early 1960s. Ray Johnson was mainly known for his numerous mail art projects, involving artistic strategies like networks and collaboration. Key terms in his mail art activities were ADD TO AND RETURN, or SEND TO, inviting recipients to contribute to his work. Besides mail art, Ray Johnson worked on collages, assemblages, and performance throughout his life.