Race

2011
Broad Daylight and Other Times

Kevin Jerome Everson’s prolific body of work is grounded in formalism and combines scripted and documentary elements. The subject matter is the gestures or tasks caused by certain conditions in the lives of African-Americans and people of African descent, often working class. The conditions are usually physical, social and economic circumstances, or weather. His films suggest the relentlessness of everyday life — along with its beauty — and present oblique metaphors for art making.

1999
Tony Cokes Videoworks: Volume 1

In this agit-pop double feature, Cokes celebrates civil disobedience and deconstructs race relations. Cokes inter-cuts political slogans and social facts with an array of footage and juxtaposes the images with pop, rock, and rap soundtracks.

 

2009
Company Line

Company Line is a film about one of the first predominately Black neighborhoods in Mansfield, Ohio. The title, Company Line, refers to the name historically used by residents to describe their neighborhood, located on the north side of town close to the old steel mill. The Company Line began during the post–war migration of Blacks from the south to the north in the late 1940’s. The neighborhood was purchased in the early 1970s and its residents were scattered throughout Mansfield.

2013
Vaginal Davis: An Interview

In this interview, American artist, independent curator, writer, and experimental filmmaker, Vaginal Davis reflects on her initiation into the punk rock and art scenes of Los Angeles during the 1980s and 90s, her stylistic influences, and her ongoing efforts to theorize queerness and visuality. Caught between the opposing poles of Hollywood classicism and the rawness of punk, Davis defines her unapologetically gender-bending, campy, and at times aggressively critical performances as scenarios, rather than spectacles or entertainment.

1992
The Deathrow Notebooks

Deathrow Notebooks is structured around an interview with Mumia Abu-Jamal, a political prisoner, who is on death row in Pennsylvania. Former president of the Association of Black Journalists, Abu-Jamal is a writer and creator of widely broadcast radio programs who continues to write from prison. He was accused of killing a police officer and was convicted in a trial that contained many irregularities. To date, all of his appeals have failed.

2001
DJ Spooky: An Interview

Paul D. Miller (b. 1970) is a conceptual artist, writer, and musician better known as DJ Spooky. A popular and prolific recording artist, he has collaborated with Ryuichi Sakamoto, Butch Morris, Yoko Ono, Thurston Moore (of Sonic Youth), Kool Keith, and Killa Priest (of Wu Tang Clan). Miller’s work uses a wide variety of digitally created music as a form of postmodern sculpture.

1990
Fade to Black

In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.

This title is also available on Tony Cokes Videoworks: Volume 1.

2016
FEELINGS

An original program for VDB TV curated by Rachael Rakes and Leo Goldsmith. These striking videos each examine a force of feeling which is beyond emotion or affect, and which often elicit physical sensation.

2005
Fifeville

Fifeville is a film about a neighborhood in Charlottesville, Virginia. It focuses on the details, gestures, and material life of the citizens of Fifeville as they communicate their understandings of the neighborhood’s changing landscape. Although Fifeville is set in Charlottesville, it could be Any Black Community Experiencing Gentrification, USA, 21st Century.

Co-director: Corey D.B. Walker. Crew: bh103a.

2017
Ephraim Asili "Fluid Frontiers"

Fluid Frontiers is the fifth and final film in the series entitled The Diaspora Suite, exploring Asili’s personal relationship to the African Diaspora. Shot along the Detroit River, Fluid Frontiers explores the relationship between concepts of resistance and liberation, exemplified by the Underground Railroad, Broadside Press, and artworks of local Detroit Artists.

1990
Framing the Panthers in Black and White

In the words of activist Dhoruba Bin Wahad, “Historical and social events are subject to almost instant censorship by those who have better access and control over the medium of communication. It is important that there exist people skilled in the use of the technological instruments of communication who will seek out the real truth behind the headlines and tell it for all to see, know, and hear.”

1969
Fred Hampton: Black Panthers in Chicago

The Videofreex conducted this interview with Fred Hampton, the Deputy Chairman of the Illinois chapter of the Black Panther Party, in October 1969, just over a month before he was killed by the Chicago police.

1991
Game of Death

Using footage from the legendary Bruce Lee’s last, unfinished, film, Fulbeck turns the subtitled martial arts movie on itself—levelling criticism and commentary with the genre's own tools, and examining the various representative functions of the late actor.

2001
The Great Mojado Invasion, Part 2 (The Second U.S.-Mexico War)

In The Great Mojado Invasion (The Second US - Mexico War), writer/performer Guillermo Gómez-Peña and filmmaker Gustavo Vazquez combine Chicano wit and political vision to create an ironic, post-millennial and postmodern look at the future of U.S./Mexican relations. Both artist and director generate a complex commentary on history, society, pop culture, the politics of language and the repercussions of ethnic dominance.

1987

A formidable collage of striking images, this powerful and provocative work confronts racial violence through images of ecological mayhem, machismo, pornography, and Third World poverty—images which return to the taboo body of a black man. "Directed and produced by our culture," An I for An I studies how violence is internalized and psychologized by overlapping soundtracks, printed texts, recurrent images, doctored footage and split screens. The piece attacks racist culture and pleads for an alternative recourse to violence.