State, The

2019
STATE, Sterling Ruby

STATE is a single-channel video projection that the artist has spent the past five years researching and producing, working with a videographer and helicopter pilot to film aerial views of the 35 adult state prisons of the California Department of Corrections and Rehabilitation (CDCR).

Soundtrack / Drumming: Sterling Ruby

Filmography: Michael Boidy

Editors: Sterling Ruby and Sadie Strangio

Audio Engineer: George Hicks

Production: Reid Ulrich

2011
Videofreex, Tuned In, Turned On! Videofreex Tape the World

Formed in 1969 at the legendary Woodstock Music Festival by David Cort and Parry Teasdale, who met while taping the events with the newly available Portapak video equipment, the Videofreex (also known as "the Freex") were one of the very first video collectives. After working together to pitch a program to the major broadcasting station CBS, they toured the country interviewing counter-cultural figures of the day, including Fred Hampton, a leader of the Black Panther party, and Abbie Hoffman, so called leader of the Yippies.

2020
Annie Goldson & Chris Bratton, The Deathrow Notebooks

The Video Art and Mass Incarceration compilation includes works from the Video Data Bank collection that focus on the rapid expansion of prisons during the end of the 20th Century in the United States. Since the time of slavery, the criminal justice system has been a continual source of racially-biased injustice and oppression, and the rise of mass incarceration serves as an expansion of those existing policies.

2006
Gene Youngblood 2006: An Interview

In this interview, communications theorist, Gene Youngblood (b. 1942) maps out the various stages of the development of video technology and its philosophical implications for human interaction. The range of topics discussed moves beyond video to offer an extensive and rich survey of American culture from the 1960s to the present moment. In addition to discussing his canonical text, Expanded Cinema, Youngblood shares stories from his early days as a police reporter for the Los Angeles Herald Examiner, where he gained intimate knowledge of the media’s politics of representation. With the acuity of hindsight, Youngblood discusses important self-discoveries, and his life-changing decision to move from the mainstream media into the world of the underground press.