Surveillance

2007
Plot Point

The crowded streets of New York City turn into fictive, cinematographic scenery. Provost is playing with our collective memory, its cinematic codes and narrative languages - questioning the boundaries between a staged, suggested reality and authentic fiction. Although filmed with a hidden camera, Plot Point presents a highly dramatic construction with overly sophisticated images and a subtle but tangible urge in the soundtrack.

2010
(Posthume) (Posthumous), Ghassan Salhab

This program presents different approaches to looking at war, and to using images of war. My Friend Imad and the Taxi is an unfinished work from two amateur filmmakers, both passionate about film, who lived in Beirut in the eighties when the city looked like the set from a war film. Samir’s work looks at the intersection between (H)istory and (h)is story as lived at home.

1996
Rumour of True Things

Most of the moving images produced for science, industry, commerce, and medicine are seen only by specialized audiences, and are then discarded soon after they are made. Rumour Of True Things is constructed entirely from such moving image ephemera, including computer games, weapons testing, production lines, monitoring, and marriage agency tapes. Rumour Of True Things is a remarkable anthropological portrait of a technologically-based society obsessed with imaging itself.

2005
Someone Behind the Door

A world with no escape... from the surveying cameras, an eye, a presence, always there to control our minds and movements. Looking even for the most secure little movements of life. 

This title is also available on Half-Lies: The Videoworks of Ximena Cuevas.

2006
Steve Kurtz Waiting

On May 11 2004, Steve Kurtz phoned 911 to report Hope, his wife of 20 years, was unresponsive. When paramedics came to his house, one of them noticed that Kurtz had laboratory equipment, which he used in his art exhibits. The paramedics reported this to police and the FBI sealed off his house.

Authorities later said that Kurtz's wife had died of "heart failure," but he wasn't allowed to return to his home for two days while the FBI confiscated his equipment, and biological samples. They also carted off his books, personal papers and computer.

2003
suicide

suicide is 70 packed minutes of a fictional filmmaker's crazed ruminations on travel, family history, death and sex as she traverses a world of malls, airports and train stations, chronicling her fiercely hopeful search for a reason to continue living.

1996
Suicide Box

A documentary video about the B.I.T. Suicide Box — a motion-triggered camera developed by the Bureau of Inverse Technology (a private information agency), and installed within range of the Golden Gate Bridge to capture a video record of anything that falls from the bridge, and provide an accurate measure of the suicide rate. The piece points to confusing roles for technology within contemporary culture.

— Whitney Biennial (New York: Whitney Museum of American Art, 1996)

Spanish subtitled version also available.

2009
Tran, T. Kim-Trang: The Blindness Series

The Blindness Series consists of eight short videos that investigate blindness and metaphors. Topics of individual titles include cosmetic surgery of the eyelids, vision and sexuality, video surveillance, hysterical blindness, alexia or word-blindness, and physical blindness. The series examines instrumental vision while offering a different kind of visuality, a haptic visuality. Stylistically, Tran's critical approach to video art is essayistic, theoretical, and politically engaged.

2003
Worst Case Scenario

“This work by John Smith looks down onto a busy Viennese intersection and a corner bakery. Constructed from hundreds of still images, it presents situations in a stilted motion, often with sinister undertones. Through this technique we're made aware of our intrinsic capacity for creating continuity, and fragments of narrative, from potentially (no doubt actually) unconnected events.”

--Mark Webber, London Film Festival (2003)