Videoworks

2000
Les LeVeque Videoworks: Volume 2

Utilizing strategies of condensation and re-assemblage, these three pieces take Hollywood classics as their starting point. The re-editing process shifts and displaces old meanings until new ones are made.

2000
Chip Lord Videoworks: Volume 1

A collection of the early video works by Chip Lord dealing with the deconstruction of television and the construction of identity.

2000
Chip Lord Videoworks: Volume 2

Volume 2 combines two late-1990s works by Lord considering pre-millenial urban life—virtual and spatial.

1997
Anne McGuire Videoworks: Volume 1

A compilation of Anne McGuire's videoworks from 1991 - 1998.

2012
Jesse McLean Videoworks: Volume 1

The three videos that comprise Jesse McLean Videoworks: Volume 1 (The Eternal Quarter Inch, Somewhere only we know and The Burning Blue) all concern various facets of our complicated emotional and psychological relationships to spectacle.

2019
Michael Robinson Videoworks: Volume 1

Michael Robinson's video artworks evade easy categorization — defying genre, the works create their own set of rules. Using found footage, on-screen text, and various video formats, Robinson sparks vibrating frequencies between seemingly disparate parts. Michael Robinson: Videoworks Volume 1 surveys video works made between 2006-2010, exploring an abstracted landscape of media consciousness, bouncing between television, pop music, and personal experiences.

1998

In the four videos on this compilation, Helen Mirra utilizes performance, repetition, and the recitation of song to evoke the natural world, the sea, and landscape. Social conventions are questioned, along with our closest relationships and the development of the self.

 

2001
Tom Rubnitz Videoworks: Sexy, Wiggy, Desserty

Until his untimely death from AIDS in 1992, Tom Rubnitz produced short, humourous videotapes featuring some of New York’s most outrageously talented musicians, artists and drag queens. Influenced by mass media entertainment, Rubnitz crafted hilarious videos which simultaneously celebrated and parodied pop culture’s bountiful energy and inventiveness. As Tom said, “I wanted to make things beautiful, funny and positive—escapes that you could just get into and laugh through. That was really important to me.

2012
Hester Scheurwater Videoworks: Volume 2

In her overt challenge to conventional modes of femininity and sexuality, Hester Scheurwater confronts the viewer with her own body. The distorted, doll-like characters she plays in her video performances balance between fantasy and reality shifting between being vulnerable, violent, inviting and threatening. Scheurwater's characters are portrayed as isolated, confused and damaged—physically and emotionally—and unable to connect to their surroundings. Scheurwater’s provocative and unsettling works address relationships, notions of decorum, and the portrayal of women in the media.

2004
Hester Scheurwater Videoworks: Volume 1

These five short videos examine the relationship between the female body and the camera’s gaze.

“In Scheurwater’s universe, there is hardly any room left for human warmth. The only living being that evokes a sense of pity is a dog. And the only hope that remains is the camera itself, feverishly searching for compassion in the remnants of decay.” 

-- Stan van Herpen

 

 

2012
Semiconductor Videoworks: Volume 1

Ruth Jarman and Joe Gerhardt, who comprise the UK artist duo Semiconductor, make moving image works that explore the material nature of our world and question our place in the physical universe. This collection of works shows Semiconductor’s adoption of scientific tools, processes and philosophies that encourage artefacts, errors and interference as a way to reflect on the presence of the human as observer.