Youth/Childhood

2010
Magic for Beginners

Magic for Beginners examines the mythologies found in fan culture, from longing to obsession to psychic connections. The need for such connections (whether real or imaginary) as well as the need for an emotional release that only fantasy can deliver is explored.

"Out of the blue, I bought my first television. I kept the TV on all the time."

— Andy Warhol

2005
Mama

"Mama mama mama...," a woman calls out again and again, over and over. Is it her child that she mimics, or is she calling for her own mother? A desperate video performance in the first person.

1987
My Puberty

Segalove re-enacts the trials and travails of her desperate, hormonal, pubescent years with actors dancing their way through what looks like a techni-color version of the Cleaver’s backyard. She plays herself, getting questionable advice from girlfriends, begging her mother for a bra and falling in love for the first time, with Moondoggie in Gidget Goes Hawaiian.

2014

Natural Life is a feature-length experimental documentary challenging inequities in the U.S. juvenile justice system by depicting, through documentation and reenactment, the stories of five individuals who were sentenced to Life Without Parole (Natural Life) for crimes they committed as youth.

The youthful status and/or lesser culpability of these youths, their backgrounds, and their potential for rehabilitation were not taken into account at any point in the charging and sentencing process. The five will never be evaluated for change, difference or growth. They will remain in prison till they die.

1999
Nest of Tens

Nest of Tens is comprised of four alternating stories which reveal mundane yet personal methods of control. These systems are derived from intuitive sources. Children and a retarded adult operate control panels made out of paper, lists, monsters, and their own bodies.

1996
No Blood/No Foul

From the performance by the same name, by Suzanne Lacy, Stan Hebert, Councilwoman Sheila Jordan, Frank Williams, Officer Terrance West, Mike Shaw, and Annice Jacoby, Oakland, 1995-6. Suzanne Lacy worked alongside youth activists, city council members and the mayor’s office to draft a Youth Policy Initiative that would create a dedicated stream of funding to serve youth needs. In the spring of that year, No Blood/No Foul was a performance on the eve of the Policy’s vote by the Oakland City Council, with Mayor, Council members and a large audience in attendance.

1998
No Is Yes

A combination of experimental and narrative approaches which explore the commodification of rebellion as it is marketed to youth culture, through the eyes of two drug-dealing, teenage girls from Brooklyn who "accidentally" kill and mutilate their favorite alternative rock star. Their obsession with murders and makeovers and their confusion between fashion and transgression lead these girls into a world where nihilism is bought and sold, and rebellion is impossible.

2014
Mike Kuchar, Nonsensical

Bouncing balloons, cloth puppets and loud mouthed 'wall-bangers' enliven a grown up nursery.

—Mike Kuchar

1998
O Night Without Objects

O Night Without Objects, A Trilogy explores the relationship of conversion experiences - therapeutic, political and religious - to technology, fear and family.  The segments are stylistically diverse, employing theatrical, documentary and narrative means.  When viewed as a trilogy each segment informs and reinforces the common thematic concerns of the others, however, any segment may be distributed or viewed independently.  This film was produced during an artists’ residency at Xerox Parc, designed to bring artists and new technology research scientists together.

1995
Obsessive Becoming

This surreal, free-form autobiography is concerned with childhood and adult rituals, and the longing for meaning and connection during the often wildly absurd events of early life. Obsessive Becoming returns to Reeves’s early exploration of personal narrative forms, poetry, and his interest in creating a more spontaneous and direct fusion between language and video. Words and images of the expectations and disappointments of coming of age break down the boundaries of both mediums.

2003
Oh Dear

A simple yet moving story of children and a baby deer set against the background of a go-kart track.

1986
Out of the Mouths of Babes

This video proposes an ironic metaphor to grasp the follies of U.S. government action and inaction in Central America. The process of learning U.S. policy is similar to the process of a young child acquiring the principles of language. These dual senses of literacy operate on several levels, situating a child’s consciousness within the contradictions of history comments on the illusory innocence of childhood, and the unexamined, but real, guilt of the U.S. government, its supporters and clients.

2011
A Party Record Packed with Sex and Sadness

A high and low fidelity record of obsessions past and present. A hooded man named Cobra Commander (drawn naked) and a boy with black glasses. A fanged woman named Shadow-La and a girl in a rose colored wig. Belinda (Heaven on Earth), Madonna (Live to Tell), and headphones (worn naked). An airport terminal. Home. The Montgomery Ward catalog circa 1980. That orange bedspread, that red flowered couch.

2006
Paul and the Badger: Episodes 1 to 4

The Badger Series has issues and attempts, each episode, to resolve them. Recasting a glove puppet show through his own present day sensibilities, Paul assumes the role of kindly uncle mentor to a household of capersome woodland creatures. Mortality, self-sacrfice, depression, altered states of consciousness and transgressive art practices are all explored as part of their everyday lives together.

2010
Paul and the Badger: Episodes 5 to 8

The Badger Series has issues and attempts, each episode, to resolve them. Recasting a glove puppet show through his own present day sensibilities, Paul assumes the role of kindly uncle mentor to a household of capersome woodland creatures. Mortality, self-sacrifice, depression, altered states of consciousness and transgressive art practices are all explored as part of their everyday lives together.