Early Video Art
“Video is a fugitive medium,” said Getty Research Institute’s Glenn R. Phillips, and he should know. As curator for California Video, a 2008 at the Getty Museum, he enjoyed the luxury of a massive archive produced during the 1960s,...
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Using the first color video camera, the artist questions where the devil might be hiding, and then takes a nighttime swim.
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Addressing the camera, Segalove confesses to plagarizing her 5th grade report, The Story of Coal.
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“I thought perhaps you’d like to see a demonstration of the new massage chair that we just got in. It — the reason for its — it looks revolutionary, it doesn’t look really like a typical massage chair, and that’s because I think Mies van der...
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“I may have to get a back up career.” I mull over what I might do if I don’t make it as an artist. What if I lose my eyes? I figure a career as a stand-up comic is a safe bet and try out a few jokes on an imagined audience — of course with my...
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Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country. This is an...
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"This is the first of a set of pieces that involve combining a series of electronic video process recordings, musics, texts and appropriated materials. These multiple elements, simple and tricky grammars, trigger expanding electronic narratives....
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"The Camel with Window Memory piece was made one weekend in the early '80's. I pulled out my post card collection and began to look at specific postcards run through the new digital video buffer I had built together with David Jones. The...
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"I was looking at postcards run through the David Jones digital video frame buffer. The buffer had two inputs, a video image of white noise and a video image of holding a post card, blank back to the camera as a clip. The post card shape...
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