Early Video Art
Early Video Art is a collection of titles that are central to an understanding of the historical development of video art. This collection includes, but is not limited to, many titles from the original Castelli-Sonnabend collection, the first and most prominent collection of video art assembled in the United States. All of the work in this collection was produced between 1968 and 1980. These works represent important examples of the first experiments in video art, and include conceptual and feminist performances recorded on video, experiments with the video signal, and "guerilla" documentaries representing a counter-cultural view of the historical events of the 1960s and 70s. Many of these tapes represent a desire for a radically redefined television experience that is centered on the innovative, the personal, the political and the non-commercial.
   “I thought perhaps you’d like to see a demonstration of the new massage chair that we just got in. It — the reason for its — it looks revolutionary, it doesn’t look really like a typical massage chair, and that’s because I think Mies van der...
Collection: Early Video Art, Single Titles Tags: conceptual art, humor, performance |
 “I may have to get a back up career.” I mull over what I might do if I don’t make it as an artist. What if I lose my eyes? I figure a career as a stand-up comic is a safe bet and try out a few jokes on an imagined audience — of course with my...
Collection: Early Video Art, Single Titles Tags: feminism, humor, performance |
 Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country. This is an...
Collection: Early Video Art, Single Titles Tags: documentary, humor, television, video history |
 "This is the first of a set of pieces that involve combining a series of electronic video process recordings, musics, texts and appropriated materials. These multiple elements, simple and tricky grammars, trigger expanding electronic narratives....
Collection: Early Video Art, Single Titles Tags: animals, found footage, memory, video history |
 "The Camel with Window Memory piece was made one weekend in the early '80's. I pulled out my post card collection and began to look at specific postcards run through the new digital video buffer I had built together with David Jones. The...
Collection: Early Video Art, Single Titles Tags: animals, image processing, video history |
 "I was looking at postcards run through the David Jones digital video frame buffer. The buffer had two inputs, a video image of white noise and a video image of holding a post card, blank back to the camera as a clip. The post card shape...
Collection: Early Video Art, Single Titles Tags: |
 "Newly hand-built digital video A to D and D to A with ALU bit flipping. Controlled by an ELF II computer. The image brightness changes also controlled analog synthesizer parameters of the live flute playing. I sat in the camera image zone and...
Collection: Early Video Art, Single Titles Tags: performance, sound, video history |
 "Real time digital buffer recording, light bulb, panning camera motor and turntable. Light Bulb, the title says it almost all. Real time recording events. Two cameras, light bulb, camera panning motor, electric lazy susan, spinning white paper...
Collection: Early Video Art, Single Titles Tags: image processing, memory, video history |
 "Image states / sound states. A bell, hand held, ringing, two oscillators each independently controlling a sync event -- a red and blue color together with sound and no sound state and a sweeping video clip, together with audio filtering. ...
Collection: Early Video Art, Single Titles Tags: visual art |
