New Releases
New Releases consists of the latest acquisitions to the VDB collections, be they contemporary works by artists, titles that are newly-preserved or edited that are now being made available to audiences, or recently released DVD Box Sets or compilations.
 The artist's mother comments about the status of women while reading a doll house sized book titled Encyclopedia of Famous Women.
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 Framed is the second installment of the longer piece, Video Bites: Triptych for the Turn of the Century. Offering a series of visual metaphors discussing the ubiquity of the "frame" in contemporary life, Braderman uses her...
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 Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora. Created over the course of seven years,...
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 Tour Without End is an experimental hybrid feature-length video work that casts real-life musicians, artists, and actors as fictional bands on tour; the piece evolves into a cross-generational commentary on contemporary culture and...
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 Contra-Internet: Jubilee 2033 is a re-imagining of scenes from filmmaker Derek Jarman’s 1978 queer punk film Jubilee, starring Susanne Sachsse and Cassils. Contra-Internet: Jubilee 2033 follows author Ayn Rand (Susanne...
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 The urge to relieve a winter valley of permanent shadow and find fortune in alluvial gravel are part of a long history of desire and extraction in the far Canadian north. Cancan dancers, curlers, ore smelters, former city officials and a curious...
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 A small portrait of the volatility of intimacy, and of breaking free from abusive cycles. Made in response to a year of collapsing relationships and violent accidents that left Stratman broken, dislocated and stuck in her apartment.
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 The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to our human condition.
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 An experiment in placing lesbian sexuality in its most common environment, daily life. Dougherty's initial intention was to represent lesbian sexuality with an objective camera by getting rid of all expressive aspects of camerawork — no close-ups...
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