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 “Horses are lucky, they’re stuck with the war same as us, but nobody expects them to be in favor of it, to pretend to believe in it.” — Journey to the End of the Night, Louis-Ferdinand Céline ...
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 Throughout an era of recession and rapid gentrification in Chicago's Logan Square neighborhood, LYNDALE was shot on ten different video formats indicative of the digital revolution of the 2000s. Oli Rodriguez and Victoria Stob document...
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 Failing Up describes career advancement despite bad decisions, bankruptcies, and intellectual mediocrity. In this short film, the Manhattan real estate holdings of the King of Failing Up are catalogued and synced to a soundtrack that...
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 ... In the serene zone between twilight and dawn, a lullaby of thoughts floats beneath a blanket of stars.
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 The work of Basma Alsharif is a tribute and testament to diasporic cultures, in this case Palestinian, drifting from the Gaza Strip to Egypt, France to the United States. Alsharif's work isn't so much about Palestine as it is about being without...
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 Cecelia Condit: Videoworks Volume 2 is an exploration of the artist's works made between 2003-2008. Whimsical and dream-like, Condit's work is continually changing course, creating dark, slippery realities within concepts of feminism,...
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 Michael Robinson's video artworks evade easy categorization — defying genre, the works create their own set of rules. Using found footage, on-screen text, and various video formats, Robinson sparks vibrating frequencies between seemingly...
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 We Were Hardly More Than Children tells an epic tale of an illegal abortion, as lived by two women on a perilous journey through a world that has little concern for their survival. Paintings by Diane Messinger. Music by...
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