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Telephone Dating: A Quest for That One Special Man

Laurie McDonald

2003 00:34:13 United StatesEnglishColorMono4:3
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Description

Edited from over seven hours of interviews with Houstonian Beverly (last name withheld), Telephone Dating: A Quest for That One Special Man is about the oftentimes frustrating search for one's soul mate, a process that begins with reacting to the sound of a stranger’s voice.

At the aural stage of the dating process, Beverly realized much success. She was told by those who listen to her dating profile that she is sexy and sensual, that she is a goddess, that she is the class act on the system. Men have offered to be her slave, to wash her dishes, to shave her legs. However, these dubious declarations of love are based primarily on the sound of her voice, not on the content of her profile in which she clearly states she is a 50-year-old “plus-size or queen-size woman.” Most men who respond to her profile stubbornly cling to their fantasy image of Beverly as a slender, athletic woman with long hair and big "boobs.” In Beverly’s words, men are practically drooling over the phone, but when they see her in the flesh, there is a different response altogether. Before the initial meeting, where face and body are joined to voice, Beverly is anxious and frightened because rejection is the norm. Worse, some take advantage of her vulnerability. In a date with a dentist she calls Dr. Dandy, what starts innocently enough with dinner and a Coke develops into a potentially dangerous encounter.

Beverly reflects on the idea of telephone dating and concludes that she has “a face designed for radio.” It’s human nature to want to be cared for, to feel a sense of belonging, and to want to be made to feel special. But the men who have responded to Beverly’s voice cannot reconcile their Pamela Anderson ideal of the One Special Woman with reality. Because they cannot see into the heart of a truly good person, Beverly’s quest ends without success.

About Laurie McDonald

Laurie McDonald is a media artist, writer, graphic designer, and photographer. In 1972, she began exploring video as an art-making tool and was a founding member of the video art collective Electron Movers, Research in the Electronic Arts, based in Providence, Rhode Island. Her early work was exhibited at The Kitchen (NYC) and included in the 10th, 11th, and 12th annual New York Avant Garde Festivals, and at venues throughout New York and New England.

She has received a National Endowment for the Arts Visual Artist Fellowship and four American Film Institute/NEA Fellowships. Her work has been exhibited internationally at venues including the Museum of Modern Art, the Metropolitan Museum of Art, the Pierre du Chardin Gallery (Paris), The Gallery of Modern Art (Rome), and at festivals including the American Film Institute’s Film/Video Festival, the Tokyo Video Festival, the Festival du Cinema in Montreal, and at Filmfest (Berlin, Budapest, Hong Kong, Melbourne, Moscow). 

As a writer, her experience ranges from novels to screenplays to instructional/informational writing. Using the pseudonym Eva Rome, she has written and published three books: Travel for STOICS; What It Means: Myth, Symbol, and Archetype in the Third Millennium, Vol. 1; and Location X: A Quest for Place. She has served as a screenplay consultant to the National Endowment for the Arts Media Grants Committee, as a contract screenplay and script writer/consultant, and as both a book editor and book cover designer. As a graphic designer and photographer, she has designed and built Web sites, graphics for print, and graphics for video. She has published two books of her own photographs: Chair, and Fotocollées

Laurie is a graduate of the Rhode Island School of Design and holds a Master of Literature degree from the University of Houston. She lives in Evanston, Illinois, USA, and in San Miguel de Allende, México.