"In this eight-minute video work, we are given nonnarrative footage sutured together to form a fragmented, hallucinatory sensation. Storefronts zoom by as captured in grainy footage out of the passenger seat of a car, two unseen men undergo tactical training that involves shooting ice with handguns, and kaleidoscopic images of cops swirl in red and blue hues. The entire work migrates between a Black conceptualist dérive and an exposé on the mundane ways that violence meets the affective realms of everyday Black life."
- Sampada Aranke, Everyday Exposures in Sable Elyse Smith’s Ordinary Violence