Skip to main content

Military Road

Mónica de Miranda

2009 00:20:25 PortugalPortugueseColorStereo16:9HD video

Description

Military Road is a project of visual mapping of the suburban realities of the city of Lisbon in connection to the migrant fluxes to Europe conected to de-colonization and the end of the Portuguese Empire in Africa. Military road was built around the city at the beginning of the XIX century, to defend the city from the French and English invasions. Exploring fragments of the former military axis that surrounds Lisbon and separates the formal city from the districts of illegal genesis, the investigation has several components (photography, video, mapping, performance). The Military Road project starts with a video in which I pursue the journey through the historic road, presenting the past history of this territory throughout analising the history of Portugal to its present urbanism - from the French invasions to the recent occupations by immigrants from the former colonies and returnees. The video is a road movie, a performance through spaces of memory, narratives of apropriation, resistence and the struggles of de-colonisation and migration. The journey traces, as in an archaeological search, the landscape of the so-called Military Road. At present, part of this road has disappeared, but in what is its remains, is occupied by social districts and urban Slums. The road, today, remains somewhat a kind of frontier that “protects” the city against foreign invasions; sustains a significant number of immigrants to the city, forcing them to remain on the outskirts of Lisbon, at its limit, in the limbo of city life. The military road project explores the double meaning and irony of the old territorial invasions, and of the current urban conflicts, of these places

About Mónica de Miranda

Mónica de Miranda is a Portuguese/Angolan visual artist, filmmaker and researcher whose interdisciplinary and research-based practice critically looks at the convergence of politics, gender, memory, space and history. Her work encompasses drawing, installation, photography, film and sound, on the boundaries between documentary and fiction. Mónica investigates strategies of resistance, geographies of affection, storytelling and ecologies of care.

She is the founder and the artistic director of Hangar (2014), an art and research centre in Lisbon. Hangar’s programs provide spaces where artists, curators and researchers, mainly from the global south, can co-create and build social and creative networks to benefit their communities.

Her work has been presented at major international events such as: 1st Malta Biennale; 3th Lagos Biennale; 6th Lubumbashi Biennale; 12th Berlin Biennale; 12th Dakar Biennale; 5th International Biennial of Casablanca; Bamako Encounters – 13th African Biennale of Photography; 14th Venice Architecture Biennale; BIENALSUR 2021; Houston FotoFest 2022; 18th Fotografia Europea, Reggio Emilia. She represented the Portugal Pavilion at La Biennale di Venezia 2024.

Solo and group exhibitions have taken place at: Sharjah Biennale, Sharjah, Wexner Art Center, Ohio; Photo Ireland, Dublin; Caixa Cultural, Rio de Janeiro; Bildmuseet, Umeå; Kadist Art Foundation, Paris; Gulbenkian, Lisbon; MUCEM, Marseilles; AfricaMuseum, Tervuren; MAAT, Lisbon; MUAC, Mexico City; Barbican, London; Autograph, London; Frac des Pays de la Loire, Nantes; Uppsala Museum, Sweden; MNAC, Lisbon; Camões Cultural Institute, Luanda, among others.

Mónica de Miranda received the Soros Arts Fellowship (2024) and La Caixa Foundation Fellowship (2022). She won the Expanded Photography Prize in Torino (2024), and was nominated for the Louis Roederer Photography Prize for Sustainability (2024), EDP Foundation’ New Artists Award (2019) and Novo Banco Photo Prize (2016).

Mónica de Miranda is also a researcher with the Foundation for Science and Technology (2013-2024) in the Center for Comparative Studies at University of Lisbon where she coordinates the cluster Post-Archive: Politics of Place, Memory and Identity.