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Shu Lea Cheang: Lesbian Shorts

Cheang’s work from the early-to-mid 1990s demonstrated an exciting fusion of identity politics and erotic exploration, making her one of the period’s most prominent queer media artists. This collection presents two of her solo works, along with two collaborations.

# Title Artists Run Time Year Country
1 Sex Fish Shu Lea Cheang 00:06:00 1993 United States
2 Sex Bowl Shu Lea Cheang 00:07:43 1994 United States
3 Fingers and Kisses Shu Lea Cheang 00:04:35 1995 Japan
4 Coming Home Shu Lea Cheang 00:05:00 1995 United States

Sex Fish

Shu Lea Cheang
1993 | 00:06:00 | United States | English | Color | Mono | 4:3 |

DESCRIPTION

An erotic lesbian video involving swimming upstream, female power, and fish love. Made as a collaboration under the name E.T. (Ela Troyano) Baby (Jane Castle) Maniac (Cheang).

“In Sex Fish water provides the common denominator for nature imagery and explicit sex. Unlike 1970s feminist imagery, however, nature is sexualized rather than sex naturalized. Dripping from the faucet, spraying against a shower curtain, swirling down a toilet, water leads viewers from one sex scene to another, private to public and back again. Swimming through the video are various fish, seemingly unaware of the derogatory pun they enact, and all gulping enviously as cunnilingus surrounds them.”

—Chris Straayer, Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press, 1996)

This title is also available on Shu Lea Cheang: Lesbian Shorts.

Sex Bowl

Shu Lea Cheang
1994 | 00:07:43 | United States | English | Color | Mono | 4:3 | Video

DESCRIPTION

All forms of human sport become sites for sexual play and celebratory eroticism.

“The tape’s images are quick, suggestive, and sexy: fingers moving into bowling balls, shoe-smelling and toe-sucking, a dog wearing chain jewelry, fish being wrapped at the market, young naked couples having sex.... Edited like a music video, the image track is a constant flow of fetishes that lure us into the promiscuous pace of girls who keep lists of their sexual encounters.”

—Chris Straayer, Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press, 1996)

This title is also available on Shu Lea Cheang: Lesbian Shorts.

Fingers and Kisses

Shu Lea Cheang
1995 | 00:04:35 | Japan | English | Color | Mono | |

DESCRIPTION

Cheang has taken her camera to the streets for a candid glimpse of lesbian public sexuality. If Asian women and lesbians share a certain amount of invisibility in the culture, Fingers and Kisses offers not only a bold representation of both, but a challenge to the question “What do lesbians do?” Tokyo’s own out-and-loud music by Chu punctuates the narrative as what begins in the streets continues under the sheets.

Script and performance by Izumo Marou and Claire Maree.

With Superdyke Inc. Japan.

Music by Chu.

This title is also available on Shu Lea Cheang: Lesbian Shorts.

Coming Home

Shu Lea Cheang
1995 | 00:05:00 | United States | English | Color | Mono | 4:3 | Video

DESCRIPTION

This humorous video begins with two women—one white, the other Asian—attempting to fit into a Japanese bathtub. The awkward fitting of bodies into a small space is just one of the allegorical scenarios dramatized in a pressing appeal for lesbian rights. In a game of hanafuda (flower cards), the terms of lesbian domesticity are cleverly played out according to such legalities as joint property, social security, and pensions.

Script/Performance Izumo Marou and Claire Maree, Superdyke Inc. Japan.

Song by Chu.

This title is also available on Shu Lea Cheang: Lesbian Shorts.