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As Profecias da Orixa Oxum

Laurie McDonald

2017 00:03:45 United States, Brazil, ArgentinaEnglishColor16:9Interactive Virtual Reality
Tags:
Environment, Image Processing, Landscape, Myth, Nature, Religion/Spirituality

Description

As profecias da Orixá Oxum (The Prophecies of the Waterfall Spirit Oxum) was filmed at Iguaçu Falls, Brazil/Argentina, and is intended for viewing in Virtual Reality. The intent of Prophecies is to transport the viewer to an alternate reality that exceeds the boundaries of the everyday visual experience, evoking faces, emotions, the visualization of sound waveforms, and mystery. Images of the various waterfalls were manipulated to create a quadra-spatial symmetry—four versions of the same image rotated, flipped, and combined into one—so that the images seem to travel both inward and outward, unfolding and contracting from edge to center, from the pictorial to the abstract. The center, where these four images converge, suggests a mandala's symmetrical, balanced center around which everything is arranged. 

In the Brazilian syncretic practice called Umbanda, Oxum is a female goddess associated with harmony in relationships, with sensitivity, and is a reminder to men that anything they attempt to do without women will fail. The Orixá Oxum is identified with waterfalls, rivers, and fresh water. Practitioners of Umbanda, which originated from indigenous animism and was blended with spiritual practices from Africa and Europe, recognize an animating force that pervades all of nature, and certain orixás (helper-spirits similar to the Catholic saints) are identified with specific natural phenomena.

While the work is not to be identified with any religious belief, it takes inspiration from the Orixá Oxum. In the New Mexican desert, we are acutely aware of the power and mystery of water and of life’s dependence on water for survival. Taller than Niagara Falls and twice the width, the rate of water flow at Iguaçu Falls can reach 450,000 cubic feet per second, the greatest of any waterfall in the world. By its sheer magnitude and awesome size, Iguaçu Falls is a reminder to those living in the desert of our tenuous relationship to water and our absolute reliance on it. The last image in the film is intended to suggest Oxum’s face in the falls and her prophecy: a message to the viewer about the world’s changing relationship to water as a result of global warming.

About Laurie McDonald

Laurie McDonald is a media artist, writer, graphic designer, and photographer. In 1972, she began exploring video as an art-making tool and was a founding member of the video art collective Electron Movers, Research in the Electronic Arts, based in Providence, Rhode Island. Her early work was exhibited at The Kitchen (NYC) and included in the 10th, 11th, and 12th annual New York Avant Garde Festivals, and at venues throughout New York and New England.

She has received a National Endowment for the Arts Visual Artist Fellowship and four American Film Institute/NEA Fellowships. Her work has been exhibited internationally at venues including the Museum of Modern Art, the Metropolitan Museum of Art, the Pierre du Chardin Gallery (Paris), The Gallery of Modern Art (Rome), and at festivals including the American Film Institute’s Film/Video Festival, the Tokyo Video Festival, the Festival du Cinema in Montreal, and at Filmfest (Berlin, Budapest, Hong Kong, Melbourne, Moscow). 

As a writer, her experience ranges from novels to screenplays to instructional/informational writing. Using the pseudonym Eva Rome, she has written and published three books: Travel for STOICS; What It Means: Myth, Symbol, and Archetype in the Third Millennium, Vol. 1; and Location X: A Quest for Place. She has served as a screenplay consultant to the National Endowment for the Arts Media Grants Committee, as a contract screenplay and script writer/consultant, and as both a book editor and book cover designer. As a graphic designer and photographer, she has designed and built Web sites, graphics for print, and graphics for video. She has published two books of her own photographs: Chair, and Fotocollées. 

Laurie is a graduate of the Rhode Island School of Design and holds a Master of Literature degree from the University of Houston. She lives in Evanston, Illinois, USA, and in San Miguel de Allende, México.