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Rage

Doug Hall

2020 00:03:18 United StatesEnglishB&W and ColorStereo16:9Video

Description

"Beginning in 2020, in response to the cultural and political upheavals that were playing out in the United States, I started making a series of videos to help me understand and cope with what was going on around me. To date, five videos have been made under the heading, Imperfect Union Productions. They are Rage, 2020; Gaea’s Lament, For Love of Guns, Isn’t It a Pity—all 2022; and A Brief History of American Demagoguery, 2024. This blatant incursion into political messaging is unusual for me, but I found the current situation so abhorrent, and I felt so powerless that I needed to do something even if my outrage found no audience beyond myself. These five videos are the result. 

When a group of people is denied a voice or is rendered invisible by a dominant culture, when its rights are repudiated, when it lives in constant fear of state brutality, when it is deprived of an education, when a significant percentage of its population is imprisoned, it seeks a means to be heard and seen in order to draw attention to its grievances. In the wake of the George Floyd murder, we witnessed multiple ways in which these grievances were expressed, including multi-racial demonstrations, peaceful and widely embraced. But there were also incidences of violence, vandalism, and looting. 

As I witnessed all of this, I was reminded of the “Prologue” to Ralph Ellison’s Invisible Man, which I had recently re-read, where the narrator’s anger explodes into a savage attack on a white man who has insulted him. It made me realize that I have no concept of the fury that can accumulate in long-marginalized African American communities and elsewhere. On further reflection, I did come to terms with how this rage could easily mutate into physical violence. My modest video, Rage, using the words of Ralph Ellison with music composed and performed by Gannon Hall, attempts to make that exact point."
–Doug Hall

 

Text from the “Prologue” to Invisible Man by Ralph Ellison
Music performed and composed by Gannon Hall

About Doug Hall

Much of Doug Hall’s work in video centers upon the idea of media presentation as anthropological rite—as social spectacle heavily encoded with cultural values and contradictions. In addition to his well-known solo projects, during the 1970s Hall was a member of the media art/performance collective T. R. Uthco (with Diane Andrews Hall and Jody Procter) and a collaborator with Ant Farm. From the late 1980s to the present, Hall has produced a significant body of work in photography, in addition to his work in video and media installation. Over the years, he has written extensively on a range of issues from art, media, and politics as well as on more personal matters. Among the most notable literary efforts is Illuminating Video: An Essential Guide to Video Art (1990, Aperture Books) which he co-edited with Sally Jo Fifer. More recently, he completed a memoir, This Is Doug Hall (2004, ORO Editions), in which he traces the influences that led him to become an artist or as he puts it, “a maker of stuff.” Over the years he has received numerous grants and awards, including from The National Endowment for the Arts, The California Arts Council, The Fulbright Foundation, and The Guggenheim Foundation. In 1995 he received The Rome Prize awarded by the American Academy in Rome. His work in video, installation, and photography is included in the collections of numerous museums, including the San Francisco Museum of Modern Art; The Museum of Modern Art, New York; The Contemporary Art Museum, Chicago; The Berlinische Galerie, Berlin; Berkeley Art Museum/Pacific Film Archive, California; Museum für Moderne Kunst, Vienna; Tate Modern, London; The San Jose Museum of Art, California; and The Whitney Museum of American Art, New York. He lives in San Francisco.