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Red Boat Crossing

Jeanne C. Finley

2024 00:38:55 United States, FranceEnglishB&W and ColorStereo16:9HD video

Description

Sixty-five years after the Allied invasion of Southern France, the director's mother, Cecily Barker Finley, tries to recall her involvement as a social worker aboard a WWII Red Cross ship. These memories are recorded in letters and phone calls with her daughter who is living on the coast of France where the invasion occurred. After her mother dies, she discovers a trunk, unopened since the 1940’s in the family garage that is filled with her mother's Red Cross memorabilia. By carefully documenting the trunk's contents, missing pieces of the invasion story begin to come into focus. Yet, despite a mountain of facts and photographs, mysteries persist about family, war, and what it means to be a hero.

Red Boat Crossing combines Mrs. Finley’s recollections with The Historical Record of the invasion of Southern France, written by the captain of the ship. Mrs. Finley’s frustration with her inability to recall all the facts infuses the daughter’s own memories with the impact WWII. Contemporary footage shot at the invasion’s location is layered with archival footage from the Red Cross and Cecily Barker’s personal artifacts discovered in the trunk. A small house at the invasion site that the mother looked at while aboard the Red Cross ship, and from which the daughter looked towards the sea 65 years later, situate the two visual experiences. Together these materials explore the mystery of one woman’s experience of international combat during WWII.

About Jeanne C. Finley

Jeanne C. Finley is a media artist who works in experimental and documentary forms including film, video, photography, installation, internet, and site specific public works. Her work has been exhibited in international institutions including the Guggenheim Museum, SF and NY Museum of Modern Art, Whitney Museum and the George Pompidou Center. She has been the recipient of many grants including a Rockefeller Media Arts Fellowship, Guggenheim Fellowship, Creative Capital Foundation, Cal Arts/Alpert Award, National Endowment for the Arts Fellowships, and the Phelan Award.

Since 1989 she has worked in collaboration with John Muse on many installation and video projects including Flatland, 2007, Clockwork, 2006, and Catapult, 2005. Finley was an Artist-in-Residence at the Camargo Foundation in Cassis France In 2008 and The Headlands center for the arts in 2005. In 2001 she received an Arts-Link fellowship to Sarajevo to create a film and website with Bosnian media artists. During 1990 Finley received a Fulbright Fellowship to Yugoslavia where she directed programs for Radio/TV Belgrade. In 1994 she was an Artist-in-Residence in Istanbul, Turkey through a grant from the Lila Wallace Readers Digest Foundation.

Finley’s film and video credits include: Lost, 2006, Loss Prevention, 2000, O Night Without Objects, a Trilogy, 1998, A.R.M. Around Moscow, 1993, Involuntary Conversion, 1991 and Nomads at the 25 Door, 1991. These tapes have won awards at international festivals such as the San Francisco, Atlanta, Berlin Video Festival, Toronto, and World Wide Video Festival. Finley is a Professor of Media Studies at the California College of the Arts and currently lives in San Francisco with her husband, daughter and son. Her gallery work is represented by the Patricia Sweetow Gallery and her films are distributed by Video Data Bank, Women Make Movies and Electronic Arts Intermix.