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A TIRED DOG IS A GOOD DOG, PART TWO

Matthew Lax

2024 00:47:30 United StatesEnglishColorStereo16:94K video

Description

The filmmaker continues his investigations in human and dog behavior, befriending a trainer, a dog with PTSD, and further ingratiating himself into the puppy play kink community. Structured around Herve Guibert’s 1982 smut novella, Les Chiens, PART TWO explores pack behavior and training through inter-species exercises in dominance, submission, trust and consent.

A TIRED DOG IS A GOOD DOG, PART TWO is accompanied by an artist-book, The Hounds of Love Have Gone Nonverbal, printed and designed by Jacob Lindgren and Inga Books. 

About Matthew Lax

Matthew Lax is an artist-filmmaker and writer working between New Jersey, New York, and Los Angeles. Lax often collaborates with animals, non-actors, and the “everyday ensembles” found within families, lovers, hobby clubs, and kink communities. Working between documentary and narrative, his films extrapolate from the participants' real-life relationships and Lax’s own autobiography to explore group behavior, power dynamics, language, critical exchange, and labor production.

Lax’s films and video installations have screened and been exhibited at venues including Viennale (Austria), IHME Contemporary (Helsinki), Rencontres Internationales (Paris/Berlin), MIX New York, MIX Brasil (São Paulo), table (Chicago), Los Angeles Municipal Art Gallery (LAMAG), Human Resources (Los Angeles), Los Angeles Contemporary Archive (LACA), Everson Museum of Art (Syracuse, NY), REDCAT, LA Film Forum, Winnipeg Underground Film Festival, and CROSSROADS (San Francisco), among others. In 2025, he was the subject of a survey presentation at the 54th International Film Festival Rotterdam.

Lax received a BFA from Syracuse University and an MFA from California Institute of the Arts. Lax’s writing has appeared in publications including BOMB Magazine, MARCH Journal, Texte Zur Kunst, Los Angeles Review of Books (LARB), and Millennium Film Journal. He is a recipient of a 2024 Lightning Fund Grant from Los Angeles Contemporary Exhibitions and the Andy Warhol Foundation.