Blu-ray

The time is now!  The present can be replaced in real time. Not quite yet by the future, but very easily by the past? eteam's video Track One is a replay of such time disjuncture. As they keep following the memory of a yellow cab that keeps driving through the now deserted streets of Taipei, their pastime augments itself with a mesmerizing sense of reality.

CB is an experimental bio-pic: its heroine, Charlotte Brontë. A collaboration between Doug Ischar and Tom Daws, CB was commissioned by the Laumeier Museum, St. Louis, for their inaugural Nightlight series.

An homage to the death of the soap opera, The Evil Eyes is a 1960's era story of a grandmother faced with her mortality, a mother in mid-life crisis, and a son realizing his sexuality - a dysfunctional family whose unspoken angst manifests in the latest episode of their beloved supernatural soap opera, Before Dawn.

In a celebrity-obsessed culture, filmmakers often exploit the downfall of a star to amplify the emotional undertones of the fictional films in which they perform. POSTFACE takes a look back at the filmography of Montgomery Clift whose private life and career spiral downward after a 1956 car crash that left his face scarred and partially paralyzed.

Note: This title is intended by the artist to be viewed in High Definition. While DVD format is available to enable accessibility, VDB recommends presentation on Blu-ray or HD digital file.

Like a generation of viewers, I was profoundly affected by Deliverance.  But I have always been troubled by the hegemonic structures of gender proposed by Boorman and Dickey. Hence, my version is played by women: myself, Peggy Ahwesh, Jackie Goss, Su Friedrich, and Meredith Root, all experimental filmmakers who work as academics. While faithful to our respective male characters, we also play ourselves.

tryphon: three sounds is a candid portrait of the artist Thomas H. Kapsalis (b.

Rebecca gazes into the crystal ball. It is afternoon in a Brooklyn neighborhood of industrial buildings. Rebecca has a way with words just as words have a way of seeking her out. The crystal ball intensifies this. The A train rumbles over the Manhattan Bridge. Rebecca gazes into the crystal ball. Nighttime in a suburban neighborhood of burnt out buildings. Words have a way with Rebecca just as Rebecca has a way of seeking them out. The crystal ball intensifies this.

The sense that you are about to be shown something wrong lingers throughout this bizarre semi-narrative. Appropriated imagery of natural disasters, paper crafts, mutated animals, abject beauty and genocide form an exquisite corpse of uncanny connectivity with chirrupy 1950s advertising music or romantic classical. Is this a test?

Skating softly, but carrying a big stick, performer Kristin Elliott engages in an interlocking series of skits involving simple, slapstick activities performed by a pristine outdoor pool and in a venetian blind windowed corner of a room.  Bodies of water - an aquarium is transported into the interior space - become a major link between these two settings.  These containers of water end up functioning as both wombs and graves.